ABSTRACT This article explores the issue of sexual harassment (SH) in rural workplaces in India through a case study of two Hindi films, Mirch Masala [Directed by Ketan Mehta. Bollywood, Mumbai: National Film Development Corporation, 1987] and Bawandar [Directed by Jagmohan Mundhra. Bollywood, Mumbai: Smriti Pictures, 2000]. While the global #MeToo movement in 2017 brought attention to workplace harassment, it largely overlooked women in India’s informal sector, particularly in agriculture. This article highlights how rural women, especially from marginalised communities, face SH in rural workplaces where caste and patriarchy further exacerbate their vulnerability. Drawing on Kamir's [Framed: Women in Law and Film. Duke University Press, xii, 2006] theory of ‘dignitarian feminism’, and Nayar's [Human Rights and Literature: Writing Rights. Springer, 2016] concept of ‘Human Rights Literature’, this study employs textual and discourse analysis of the films to examine how caste and honour-based social structures perpetuate SH. We argue that these films provide critical insights into the socio-cultural dynamics of SH in rural settings, illustrating the intersection of caste, gender, and patriarchy. By focusing on Dalit women's experiences, this paper calls for greater legal protection and cultural awareness to address SH in rural workplaces, beyond urban and formal sectors.
Read full abstract