This paper presents an attempt at a 'virtual rhythmanalysis of an urban night space. Rhythmanalysis, as presented by Henri Lefebvre and Catherine Régulier, is a critical practical-theoretical approach to examining the urban space and its modes of temporal production. Across the globe, 24-hour urban lifecycles are increasingly valued in the planning, development, and management of urban districts and spaces. But how does the night affect urban space, and how can we approach it methodically? Utilizing the emergent Lefebvrian rhythmanalysis framework, the paper examines how a public space is (re)produced night after night through spatial and temporal appropriations of the space through the shifting rhythmic constellations of embodied practices and materialities. The paper utilizes screens and online live-camera streams to examine the night space, shifting the rhythmanalysis' original phenomenological-hermeneutic basis towards postphenomenology and mediating visual technologies in the experience of space. The emergence of new audiovisual materials extends our understanding of what the city 'is' and how it can be experientially approached. From a postphenomenological perspective, human-technology relationships are transformed in different ways using audiovisual technologies. Together with addressing the possibilities and challenges of shifting the Lefebvrian `lenses' to a virtual setting, the rhythmanalysis of the urban night space reveals the interplay between strong and weak rhythms and their diurnal oscillation, and the polyrhythmicities of the intersecting flows, bodies, and materialities of the space.
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