Uploaded Content Research Articles

Consumption Patterns of Female Lifestyle Influencers During Covid-19 Pandemic: A Thematic Sentiment Analysis Based on the Comments of Selected YouTube Videos

The Covid-19 pandemic has affected every walk of human life in unprecedented ways. During the lockdown, social media tools became a driving force leading to their best usage and receiving recognition for entertaining, learning and influencing daily lifestyles. Social Media Influencers have been admired and acknowledged for influencing people and providing innovative solutions to day-to-day problems maintaining a standard livelihood. This study evaluates the engagement of Indian female influencers during the pandemic extracting the reaction of audiences towards the content uploaded to YouTube through sentiment analysis, by classifying the influencers into five categories, such as Beauty & Fashion, Comedy, Food, Health & Fitness and Travel. The study reveals upload of content to YouTube increased rigorously during the pandemic however comments posted by audiences decrease simultaneously. Yet, the sentiment of the audience is substantially positive, primarily towards the food category. The duration of content uploaded is short and conveniently less time-consuming for the audience, attracting their attention and leading to prompt mention, feedback and comments within the 24-h of uploading content to YouTube. The study highlights that females are abruptly adapting to the social changes and also making it resourceful for the community by practising social media.

Analysis of the Content of Communication Messages by Tiktok Video Content on Vina Muliana's Account in Entering the World of Work

Vina Muliana, the owner of the TikTok account @vmuliana, discusses the world of work, whether it's discussing tips on applying for a job or personal branding. The purpose of this research is to analyze the content of the message and find out what communication techniques he uses in the process of delivering the message content that he uploads in video content on his TikTok account with the @vmuliana account. This research method uses qualitative methods with descriptive explanations. The data used in this study refers to the focus on video content uploaded to the @vmuliana account; the last video documentation that was examined was the video on Saturday, March 18, 2023. Video documentation for uploaded content will be taken following the theme of the discussion of the communication techniques used so that it has a more straightforward explanation and has the effectiveness of the explanations and examples carried out in the uploaded video content. References from Discourse Analysis assist instruments in message content analysis research. It can be seen that the TikTok account @vmuliana uses four communication strategy techniques that aim to make the message she conveys in the delivery process easy to understand and acceptable to the public. The four communication strategy techniques are redundancy (repetition), canalizing, informative, educative, persuasive, and coercive. The explanation has been explained along with the sentences she uses following the communication strategy techniques she uses to deliver the message.

Liabilities of virtual world developers as intermediary service providers: the case of Second Life

Through a review of the EU and the US regulation and case law, this article discusses the extent to which virtual world developers can be held liable as intermediary service providers with regard to potentially infringing user-created and user-uploaded virtual items. Among many virtual worlds, this study focuses on Second Life, developed by Linden, as it allows user-created and uploaded contents, and offers services such as the Marketplace and LindeX exchange, which enable users and the developer to financially benefit from these contents. The article argues that, beyond mere game developers, virtual world developers such as Linden are intermediary service providers and may be liable with regards to user-created and uploaded content on their services. Within the scope of the EU regime, Linden is too active to benefit from the E-Commerce Directive’s safe harbors. However, it should not be considered as an online content-sharing service provider within the scope of the DSM Directive because Second Life does not compete with other online content services for the same audiences. According to the comprehensive protection brought by the DMCA in the US, Linden can benefit from the safe harbors if it takes the necessary steps after becoming aware of specific infringing activity and fulfills the procedural measures listed in the act.

Web-oriented encyclopedic edition as a tool for dissemination of verified knowledge in the field of education

The article deals with the problem of creating a Ukrainian web-oriented encyclopedia to support terminology of education and psychology. The project is designed by the Institute for Digitization of Education of the National Academy of Educational Sciences of Ukraine (IDE NAES of Ukraine). The initial stages of the "Ukrainian Electronic Encyclopedia of Education" implementation procedure were presented. The structure of the encyclopedia website, its software platform, functionality, a search toolkit, articles typology, thematic sections, authors` team, and target audience were described. The authors analyzed the principal reference resources regarding encyclopedic editions (Corpus of Ukrainian Encyclopedias, Electronic library of the NAES of Ukraine, V. O. Sukhomlynskyi State Scientific and Pedagogical Library of Ukraine, and ScienceDirect).A review of international scientific publications was carried out. The problem of open use the verified, scientific, and succinctly presented content is revealed. It is emphasized the need for technical and technological implementation of the following capabilities: content uploading, editing, and enhancing support; coordinated work of the international scientific authors’ team; open access anytime and anywhere for many users; search functions by various parameters on the site, etc.

Toxic Positivity Content Uploads on Instagram in Encouraging the Growth of Hustle Culture Gen Z

Exposure to toxic positivity content uploads on Instagram during the pandemic has motivated some Gen Z to act hustle. This research uses a virtual ethnographic approach to see digital interactions, media-making processes, and individual motivation in interpreting toxic positivity content on Instagram, which can build Gen Z Surabaya to act hustle. This research shows that there are factors in the scope of friendship, frame of reference, field experience, to family in building motivation to act hustle through consumed toxic positivity content. It can be concluded that Instagram is a medium for the media-making process of turning content into an action that can affect the lives of its users.

Consuming the Korean Mobile Nation: Seoul, Dislocation, and the Search for Belonging in (Food) Media

From the 1980s on, topographies of the city and country emerged in the Korean cinematic imagination as reactions to Seoul's hypermodernity. Scenes of resting in an idyllic countryside and in rooms hidden within the city often depict eating, indexing a global media trend of linking identity to place. Today, television, film, and digital media are streamed into tablets, and these images affect virtual togetherness in a Korean "mobile nation," an online community of domestic and international viewers consuming "Korea(n food)" together, interstitially. Evocative foodscapes conjure affects of belonging as consumers engage in timed chats and upload content.

Analysis of Higher Education Students’ Awareness in Indonesia on Personal Data Security in Social Media

As time goes by, information and communication technology continue to advance. Since the pandemic, the need for information and communication technology has risen to aid us in working and studying from home. One of the forms of information and communication technology is social media. Social media is where users can connect with other users in different regions, upload content as images or videos, express themselves freely, and get responses or reactions from other users (likes and comments). However, behind all those, social media can also be a place full of threats towards the personal data of its users. This study aims to analyze the awareness of higher education student social media users in the research field of Indonesia regarding personal data security. This research focuses on university students, Indonesia’s largest group of social media users, as the main respondents. The questionnaire questions were distributed online using random and snowball sampling methods for targeting student respondents. In this study, social media users were divided into active users (content creators) and passive users (using social media as a means of entertainment). The results show that active users upload personal data to benefit from it. In contrast, passive users are more aware of the use of personal data on their social media. This research also shows how they secure their data and their behavior on social media.

Cultural Content in the Youth’s Social Media on Likupang Super Priority Tourism Destination

There are 1340 ethnic groups comprising Indonesia, a country with a rich culture and has a lot to offer to the tourism industry. This cultural wealth needs to be communicated to the community, including the younger generation, as the younger generation and the largest group of users of social media, as well as a potential market for the tourism business. Experience sharing activities carried out through social media have a positive and significant influence on travel intentions. Millennials and Generation Z who are fluent in social media, have a role in increasing tourism activities. Ideally, these cultural contents are shared abundantly on social media. Then, how is cultural content shared on social media about the super priority destination of Likupang. The research aims to analyze the cultural content in the social media of Likupang super priority tourist destination among the younger generation. The research is conducted in a qualitative case study method, where data collection was carried out through social media observations using big data analysis tools, and forum group discussion with the younger generation, academics, and tourism practitioners in the Likupang area. This research found variations in cultural content in Likupang tourism include language, clothing, arts and culture, local wisdom, culinary, leisure activities. Secondly, regarding narration and storytelling. Of the many kinds of uploaded content, narrative content has its own charm, even above it has been found that the content has the 7th highest engagement among 1000 uploads with the hashtag #Likupang. Thirdly, the selection of the method in conveying the narrative and storytelling, which micro-influencers' content aims to increase consumer travel conversion, more than brand recognition among a larger audience.

V-SOC4AS: A Vehicle-SOC for Improving Automotive Security

Integrating embedded systems into next-generation vehicles is proliferating as they increase safety, efficiency, and driving comfort. These functionalities are provided by hundreds of electronic control units (ECUs) that communicate with each other using various protocols that, if not properly designed, may be vulnerable to local or remote attacks. The paper presents a vehicle-security operation center for improving automotive security (V-SOC4AS) to enhance the detection, response, and prevention of cyber-attacks in the automotive context. The goal is to monitor in real-time each subsystem of intra-vehicle communication, that is controller area network (CAN), local interconnect network (LIN), FlexRay, media oriented systems transport (MOST), and Ethernet. Therefore, to achieve this goal, security information and event management (SIEM) was used to monitor and detect malicious attacks in intra-vehicle and inter-vehicle communications: messages transmitted between vehicle ECUs; infotainment and telematics systems, which provide passengers with entertainment capabilities and information about the vehicle system; and vehicular ports, which allow vehicles to connect to diagnostic devices, upload content of various types. As a result, this allows the automation and improvement of threat detection and incident response processes. Furthermore, the V-SOC4AS allows the classification of the received message as malicious and non-malicious and acquisition of additional information about the type of attack. Thus, this reduces the detection time and provides more support for response activities. Experimental evaluation was conducted on two state-of-the-art attacks: denial of service (DoS) and fuzzing. An open-source dataset was used to simulate the vehicles. V-SOC4AS exploits security information and event management to analyze the packets sent by a vehicle using a rule-based mechanism. If the payload contains a CAN frame attack, it is notified to the SOC analysts.

Penerapan Etika Digital di Kalangan Content Creator TikTok

Content creator is becoming an in-demand profession for the millennial generation, along with increased social media consumption in Indonesia. Content creators do not just upload content but are required to create creative content. These content creators can be called citizen journalists because they perform media functions, including providing information, mobilizing, entertaining, and spreading values to society. Content creators are also required to be professional. Professional means content creators not only create creative content but also need to pay attention to digital ethics. This study will look at the application of digital ethics among TikTok content creators. Digital ethics is essential because this moral guide will help content creators reflect on uploaded content. This study uses qualitative research with a case study method. The results show that content creators do not fully understand digital ethics principles. Digital ethics was only discovered after the informant received punishment from TikTok for the uploaded content. Furthermore, this study shows that content creators are more dominant in practicing device literacy than digital ethics.

Social Network Analysis of 17th Jogja-NETPAC Asian Film Festival (JAFF) in Disseminating Films on Twitter

Jogja-NETPAC Asian Film Festival (JAFF) is a prestigious festival in Indonesia that is a place for filmmakers to distribute their films. Film festivals are held once a year, between October and December. As of 2022, the film festival turns 17. Smart Society utilise social media as reference for making decisons. Hashtags #JAFF17 organizers use to promote events on social media, particularly Twitter. The virtual community enlivened #JAFF17 hashtags with various motivations, such as promoting films shown by JAFF or promoting the JAFF event itself. This study describes the communication dynamics of Twitter account users in interacting and communicating motivation, conducts analysis based on the typology of uploaded content, correlates it with user-generated content, and explains the process of analyzing data using third-party software for crowdsourcing and collecting data from Twitter. This study used social network analysis to analyze participants' observations based on certain keywords or trending topics, such as the use of hashtags from movie-promotion-themed Twitter accounts known as #JAFF17 hashtags. These results can be used to classify the actors involved, including the official accounts of organizers, filmmakers, audiences, and influencers. Their motivation for using #JAFF17 hashtag is to promote their own films, recommend films that are shown, and promote festival programs.

CONTENT CREATOR YANG BERKARAKTER BERDASARKAN ANALISIS VIDEO YOUTUBE NINGSIH TINAMPI

Being a konten kreator has its own challenges because every day you must update the ideas and concepts of the content that will be presented. It's not uncommon to choose shortcuts by using sensations to get the audience's attention. Konten kreator is a profession that has emerged as a developing technology product. Anyone can become a konten kreator; the problem then is how the konten kreator can communicate messages to the public properly. There needs to be a strategy implemented so that uploaded content can have a positive impact on increasing the number of engagement or follower accounts on social media. This article will focus on examining communication strategies to become a good konten kreator using Ningsih Tinampi's Youtube content as a case study. This research was conducted using a qualitative approach with semiotic analysis methods, then to test the validity of this research. Then the research team will use data triangulation. The results of the study show that a verbal and non-verbal approach with character needs to be owned by a konten kreator. In addition, Ningsih Tinampi's communicator credibility is Terminal credibility, which is a combination of derived and initial that complement each other. This is a combination of forms of verbal and non-verbal communication messages that have been successfully shown in every YouTube content.

Police as communicators to prevent the spread of the COVID-19

For the last two years, Indonesia and all countries in the world have been engaged with the COVID-19 pandemic. The government issued various forms of policies to prevent the spread of COVID-19, including PSBB and PPKM. The West Java Police Public Relations, as part of the government, also communicated the program through their social media. One of the social media accounts used is the Instagram account @humaspoldajabar. However, the uploaded content has yet to achieve optimal results. The purpose of this study is to describe the management of Instagram social media @humaspoldajabar during the COVID-19 pandemic. This research uses qualitative research methods with the type of case study research and collecting data using observation and literature study. The result of this research is that the contents uploaded by the Public Relations Division of the Java Regional Police are content related to appeals, information, and policies for controlling the COVID-19 outbreak. Public Relations of the West Java Regional Police uploaded content that described humanist police activities accompanied by the positive imagery of officials within the West Java Regional Police. The West Java Police Public Relations should use brand influencers to optimize content and display content that suits the needs and characteristics of the public. Content in the form of positive imagery can actually threaten the image of the police themselves.

Application of the Fair Use Principle to Songs Modified on Digital Platforms Based on Positive Law in Indonesia

The song entitled "Masker dan Vaksin" released by Satuan Tugas Penanganan COVID-19 on YouTube is a modified song from the song "Galih dan Ratna" by Guruh Sukarno Putra. In addition, Indomusikgram creates video content on TikTok entitled "Tips Jaga Kesehatan" by modifying the song "Ampar-ampar Pisang" which was created by Hamiedan AC. The song contains a message to the public about preventing the COVID-19 virus. This research will focus on legal protection for the creators of modified song in digital platforms based on Law No. 28/2014 concerning Copyright. Furthermore, this research was also conducted to determine whether the fair use principle can be applied in modifying songwriting works on digital platforms based on Law Number 19/2016 concerning Information and Electronic Transactions. The writing method used is a normative juridical approach. This writing uses descriptive analytical writing specifications. In this writing phase is also done by writing literature by reffering to the laws and regulations, literature and other relevant documents. The results of this research shows that songwriters have the right to include their names in uploaded content on YouTube and TikTok by Indomusicgram and Satuan Tugas Penanganan COVID-19 based on Article 44 of Law No. 28/2014 concerning Copyright. Creators also have the right to refuse if they object to the modification of the song that occurs. Furthermore, the ITE Law does not regulate the principle of fair use of copyright. So it can be concluded from Article 25 of the ITE Law, the application of the principle of fair use to song copyrighted works modified on digital platforms during the COVID-19 pandemic still refers to the Copyright Law.

Pertanggungjawaban Hukum Terhadap Penyelenggara Sistem Elektronik Atas Promosi Minuman Beralkohol Berdasarkan Hukum Positif Indonesia

Instagram platform is used as a media of promoting alcoholic beverages because of its low cost and rapid dissemination of information. However, uploading alcoholic beverage content is against the law because alcoholic beverages cannot be promoted in the mass media, including social media. This study aims to determine how the platform has responsibilities. This research was conducted using a normative juridical approach, that the research was conducted by conducting research through the literature as the main research material. Based on the research conducted, it was found that the legal liability of the Electronic System Operator for the Private Scope of the Instagram Platform is very limited if there is an upload of content that violates the provisions, so that sanctions that can be imposed to suppress the upload of illegal content must be applied to business actors as users of the electronic system.

PERSPEKTIF HUKUM PIDANA TERHADAP PERILAKU CATCALLING DI SOSIAL MEDIA

<p>This study examines the perspective of criminal law related to the problem of verbal sexual harassment or catcalling, with advances in information and communication technology, crime has now progressed rapidly, not to mention the crime of verbal sexual harassment or catcalling which is carried out on social media, perpetrators of harassment This verbal sexual activity uses social media to carry out its actions, by way of comments or uploading content that contains elements of catcalling, currently catcalling is still considered only a joke, the act of catcalling has violated the norms of decency and morality. In this journal the author discusses how to apply criminal law regarding verbal sexual harassment or catcalling behavior and discusses how the perpetrators of catcalling behavior can be subject to criminal sanctions in accordance with applicable law in Indonesia. Number 44 of 2008 concerning Pornography, Law Number 19 of 2016 concerning Information and Electronic Transactions, Law Number 12 of 2022 concerning Crimes of Sexual Violence. In this paper, the author uses normative research methods and analyzed using syllogistic analysis techniques with deductive thinking patterns.</p><p> </p>

On the Role of Futuristic Technologies in Securing UAV-Supported Autonomous Vehicles

Unmanned aerial vehicles (UAVs) and autonomous vehicle (AV) technologies are gaining popularity due to their key benefits that include, but are not limited to, infrastructure independence, scalability, and autonomy. Although UAV and AV technologies are vertical; nevertheless, from the services and applications standpoint, these technologies handsomely complement each other. More precisely, the shortcomings faced by AV technology such as real-time navigation, visibility, mapping, content uploading, and maneuvering could be supported by UAV technology. Moreover, security plays a crucial role in the commercial deployment of AVs. This article focuses on the role of futuristic technologies in securing such a critical environment. Specifically, we focus on the data-related security for which blockchain is leveraged. The role of other enabling technologies, such as artificial intelligence, in providing security to the integrated UAV–AV has also been discussed. Finally, we identify the outstanding research and development challenges that will provide new research avenues for the research community.

The ecology of FAIR Digital Objects, with special attention to roundtripping and benchmarking across the research ecosystem

The more findable, accessible, interoperable and reusable (i.e. aligned with the FAIR Principles outlined by Wilkinson et al. 2016) a Digital Object is, the more likely it is to interact with other entities in the research ecosystem and beyond. As long as the interoperability of these entities is not perfect (and it rarely is), a variety of interactions with a given Digital Object (e.g. split, merge, aggregation, transformation, backup, upload, download, or updates of content, metadata, storage or permissions) will mean a variety of representations of it, with some closer to the original than others. This has consequences for how the information about Digital Objects or contained in them can move around the research ecosystem. In some contexts, multiple representations of a given original (or aspects of it) might exist, creating the need to assess similarities, differences and relationships and to include them in curation, management, education, dissemination and preservation workflows. In other contetxts, the sole copy of a Digital Object might exist on a legacy system with limited alignment to the FAIR Principles, which creates the need for generating more readily accessible backup copies and to adapt some of them for inclusion in contemporary workflows. In this presentation, we will look at the suitability of sets of FAIR Digital Objects to serve as indicators for several aspects of FAIRness across different elements of the research ecosystem. These sets could involve existing FAIR Digital Objects (e.g. data management plans, as per Mietchen 2021) as well as new or hypothetical ones, and inclusion or exclusion with respect to a given set could be defined using a wide range of criteria pertaining to the ecosystem elements of interest. Taking inspiration from tracing, monitoring, benchmarking and roundtripping activities in various research fields, we will then explore how far, how well and how quickly such sets - or their content - can travel through multiple elements of the research ecosystem (e.g. different databases or software pipelines or different stages of the research cycle) and what this means in terms of potential improvements to the FAIR Digital Objects themselves, to the sets and their contents, to the way the FAIR assessments are implemented or to relevant elements of the research ecosystem.

독일의 저작권-서비스제공자법 (Urheberrechts-Diensteanbieter-Gesetz)의 주요 내용 분석과 시사점

Recently, some online platform regulations have been the subject of debate regarding Platform Responsibilities in the EU, U.S.A., Korea, and Japan. In 2019, the European Union introduced Article 17 of the Digital Single Market Directive that strengthens liabilities for online content-sharing services providers (OCSSP). First, in the EU, Germany enacted a new Copyright-Service Provider Act to introduce Article 17 whose directive is the OCSSPs’ direct responsibility for communicating copyright-infringing content to the public and to make their best efforts to obtain licenses from the copyright-holder to receive immunity from copyright infringement. OCSSPs must take blocking measures to prevent the continuous upload of copyright-infringing content in the future if the right-holder of the contents informs OCSSPs of the substantial information that copyright infringing content is servicing their platform. The German Act introduced some articles to respond to an overblocking measure of OCSSPs. For example, “Uses authorized by law”, “Uses presumably authorized by law”, “Minor uses”, and “Flagging of uses authorized by law” are introduced to ensure the fundamental rights of service users. In addition, OCSSPs should pay compensation to the copyright-holder and related-rights holder, if works are used for fair use. Compared to the Korean Copyright Act, OCSSPs may belong to a hosting service provider and a special type of online service provider. An obligation to obtain a license, to take notice and stay down, and to pay compensation, is necessary for debating the improvement of Korea’s online service provider immunity regulations.

Poland’s challenge to Article 17 CDSM Directive fails before the CJEU, but Member States must implement fundamental rights safeguards

Abstract The Court of Justice of the European Union (CJEU) has dismissed Poland’s action for annulment of the new copyright liability regime for specific online platforms but subjected its implementation to strict fundamental rights control. As a result, national implementations must ensure that the rights of users are given sufficient protection against preventive blocking and filtering of content uploads.