In the fall of 1976, I introduced a one-semester course on modern civilization at St. Bonaventure University. The course was given in response to a need expressed by our majors, including those who planned to enter a non-teaching career. I decided to give the course totally in English, in order to attract also students interested in fulfilling their general education requirements. The course meets twice a week for seventy-five minutes per session. Both lecture and discussion, as well as slides, pre-recorded cassettes, films, phonograph recordings and photographs are used to present the content of the course. Course requirements consist of textbook and fairly extensive outside readings, at least four unannounced quizzes on the material covered in the previous class, and mid-term and final examinations. An optional research paper for extra credit is also permitted. In the case of the mid-term and final exams, I distribute a list of essayand identification-type questions well in advance of the test date. This practice has proved extremely beneficial in motivating the students to study, as they are explicitly told that all the exam material will be drawn from these questions. Distributing the study questions offers the further advantage of helping the student to focus on the key issues of the course instead of becoming bogged down in insignificant details. From the outset, I have attempted to make the course interdisciplinary in nature, dealing not only with political, social, and economic issues, but also with such topics as life-styles, literary and other artistic achievements, and a contrastive analysis of and American cultural values. I was encouraged in this approach after reading Eberhard Reichmann's thoughtful article entitled German Culture Studies: Pedagogical Considerations. Briefly, Reichmann states that culture studies should include the following three subject areas: 1) the private sphere of the individual and its groups and affinities, 2) the public sphere of society and nation, and 3) the intellectual and aesthetic spheres.1 I begin the course by asking the students about their images of Germany and of Germans. We discuss the popular sources of this information and I follow up their remarks with comments about stereo-
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