UK Film Council Research Articles

Globalisation, world trade and the cultural commons: Identity, citizenship and pluralism

There is no consensus on the role that culture plays in the processes of globalisation for the very simple reason that culture is a difficult and elusive term to define,1 and is subject to global p...

Film Policy in the United Kingdom: New Labour at the Movies

The article summarises key aspects of government intervention in the British film industry since the election of a Labour government in 1997. The process of amalgamating a variety of existing institutions (including British Screen, the British Film Commission and the Arts Council's Lottery Film Department) into the new UK Film Council is described and the implications for developments in the English regions is considered. The issue of the continuing American dominance of the industry is explored and this is related to the contentious concept of an economically 'sustainable' domestic industry. In conclusion it is proposed that more careful attention be given to the cultural and educational implications of current policy.

The eyes of the beholder: does responsibility for the lack of quality screenplays really lie at the door of inadequately trained screenwriters?

The relative lack of success for British films in the marketplace is often cited as being rooted in the lack of quality screenplays. As the primary strategic body for film in Britain, the UK Film Council subscribes to this broad analysis and has identified training as one of the key strategies for overcoming this weakness. In this article, I question this assumption and examine to what extent the decision-makers, and the processes of decision-making, themselves are a problem in the development of talent and quality British films.