Gated Communities (GCs), as residential enclaves in urban and suburban environments that offer exclusive housing and a multitude of onsite amenities, are burgeoning in many fast-growing Egyptian cities. In the past few years, several upscale Egyptian GCs have received unequivocal attention in high-profile TV advertisements and campaigns which package and technologically mediate social spaces overlaid with aesthetics of unique architectural character, distinctive leisure amenities, social exclusiveness, and prestigious lifestyles. Set against this backdrop, this paper takes up a postphenomenological-geosemiotic approach toward the examination of the affects of elitism that transpire in one upmarket urban enclave’s advertisement, namely Mountain View. Arguably, in the filmic narrative of the promoted social spaces, the technological mediation and intentionality of the camera shot scale modulate multi-sensory and multi-spatio-temporal relationships between viewers and the GC lifeworld/residents that are worthy of scrutiny. Key findings include how POV camera shots are employed and appropriated to mitigate (and mediate) the representation of transnational elite semiotic landscapes and the pertinent affective intersubjectivities of doing eliteness. The systematic analysis of MV’s semiotic aggregate unravels an affective aggregate that is, in essence, a concrete instantiation of Foucault’s notions of heterotopia and (post)-panopticism.
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