Reviewed by: Chinese Aesthetics and Literature: A Reader Karl S. Y. Kao (bio) Corinne H. Dale, editor. Chinese Aesthetics and Literature: A Reader. Albany: State University of New York Press, 2004. xxi, 247 pp. Hardcover $81.50, ISBN 0-7914-6021-5. Paperback $27.95, ISBN 0-7914-6022-3. As explained in its Preface, this book is modeled after Japanese Aesthetics and Culture: A Reader, edited by Nancy Hume (State University of New York Press, 1995), a book designed for use by non-Asianist college instructors in their teaching of Japanese literature. Like Hume, Dale is a professor of English, and she has done a similar volume on Chinese literature, likewise intended for nonspecialists. Although most readers of China Review International probably would not be "non-Asianists" in Hume's sense—most are probably specialists of Chinese studies or avowed students of it in one related area or another—this volume could be of interest to them as a source book for a class in Chinese literature. The book contains eleven essays selected from various sources on Chinese philosophy and literature. In addition, there are an Introduction by the editor that explains the selections, an outline history of Chinese literature, and ancillary material such as the headnote that precedes each essay and the annotated classified bibliography, which includes a bibliography of bibliographies, general reference books, studies on various genres, et cetera. The title of the book is indeed an attractive one for students of Chinese literature in general. But it should be pointed out that one of the words featured in it, "aesthetics," is itself not a focus of inquiry; no essays in the collection are specifically devoted to the topic. Dale's Introduction explains that aesthetics is here understood in a general sense of "artistic values or preferences" based on a "philosophically informed understanding of human experience." In other words, philosophy is assumed to play a role in the shaping of literature and could help explain its properties and values. Organized apparently with this understanding, the selection includes, besides essays on Chinese literature itself, philosophical writings concerning the traditional Chinese worldview, cosmogony, and cultural outlook. The selections are taken from existing sources, mostly by scholars eminent in their own fields, and many of them may in fact give students in different fields of Chinese studies, including literature, a feeling of déjà vu. The first three essays are by Pauline Yu and Theodore Huters (joint authors), Roger Ames, and Tu Wei-ming, and they all go back to the early philosophical or mythological sources to find the origins of Chinese conceptions of cosmology and the world and of the Chinese cultural outlook. Students of sinology will reencounter such ideas as the one that the Chinese worldview is organic, characterized by a correlational thinking about all things in the universe—ideas that Joseph Needham and his collaborators in their work on Chinese science and civilization [End Page 302] have made widely known. Frederick Mote's notion of the "uncreated world" of Chinese cosmogony is also often reiterated. These concepts are here best described in Ames' essay, the second in the collection, titled "Language and Interpretive Contexts" (adapted from his introduction to Ames et al., eds., Interpreting Culture Through Translation: A Festschrift for D. C. Lau [1991]). In concise, lucid language, Ames explains from a comparative perspective the fundamental differences between the Western and Chinese worldviews. Tu Wei-ming approaches the question of Chinese cosmogony through the concept of ch'i (qi) in his "The Continuity of Being" (originally included in Leroy S. Rouner, ed., On Nature [1984]). Drawing from both early Confucianism and Neo-Confucian writings, Tu argues that qi in these traditions is at once the "basic stuff" that makes up the cosmos and the "vital force" that energizes all modalities of being, thus making it possible to see matter and spirit as one and the same, undifferentiated and undifferentiable. Tu further emphasizes the concept of "transformation" in place of creation; according to this view, humanity is but part of a great continuum of being. The first essay, Yu and Huters' "The Imaginative Universe of Chinese Literature" (originally an introductory essay to Chinese literature for the book Masterworks...