This paper aims to learn how Italian audiences received and perceived data-driven television news during the Covid-19 pandemic. During this time, the logic and practices of creating and consuming television journalism were disrupted by the pandemic emergency. The paper presents the results of research carried out as part of a wider project titled “The Social Effects of Fake News” which was conducted from 2018 to 2022 within the CoRiS department of Sapienza University of Rome. The research project was reshaped in 2020, to understand the effects of what has been called “information disorder” in the areas of health, medicine, and science at a time when, together with the pandemic, an “infodemic” also emerged.1 We use Wardle and Derakhshan’s notion of “information disorder” as presented in their Council of Europe report.2 The results of the survey research we conducted show a surprising paradox. We found an interesting pattern of receiving and using information content based on data, in which users trust those who produce and validate certain data and at the same time do not believe that same data. This pattern of use indicates a particular approach to dealing with news among the Italian public. We have labelled it “know-it-all.” This article aims to deepen the understanding of this paradox of trust in experts but not in the data they deliver and how journalistic practice should deal with this conundrum.