MLR, I03.3, 2oo8 855 Le Dix-huitieme Siecle: histoire,memoire et reve. Melanges offerts aiJean-Marie Goule mot. Ed. by DIDIER MASSEAU. Paris: Champion. 2006. 365 PP. E55. ISBN 978 2-7453-I 332--4. This volume contains twenty-fivecontributions honouring the distinguished career and provocative scholarship of Jean Goulemot. The chapters vary in length and address awide variety of eighteenth-century topics (a fewcover other periods). Occa sionally contributions might be labelled elegant essays rather than scholarly articles with a fullcritical apparatus. Some have a sharply defined focus, e.g.Ragou'ts, Spanish wine, thenotion of darkness, the 'pre-suicidal' writings ofPierre Dombre, Brosses and Italy,Saint-Simon on foreign princes, the neoclassical tragedies of Chenier. Others investigate issues which have implications for the study of the Enlightenment as a whole, e.g. periodization, the lateeighteenth century as a pivotal epoch, the interest in novelty.Given thediversity of the collection, my comments will necessarily be con fined to a fewchapters. Benolt Melanvon attacksmany of the idees reruestraditionally proffered about the period-was Rousseau the true inventor of autobiography? are we certain about the eighteenth-century usage of the termphilosophe, etc.? Equally challenging is the assessment of the late eighteenth century byDidier Masseau, who claims that an appreciation of cultural history may be impeded by being linked to political history. Certainly, he contends, the pOst-1770 period plays a crucial role in the transformationofmentalities but it is wrong todivide thatera into mutually exclu sive groups. Science could be championed by so-called progressive minds as well as providentialists such as Bernardin de Saint-Pierre. Allied observations on Bernardin aremade by Gabriel-Robert Thibault in the exploration of the fundamental impor tance of natural theology and paysage inhis works. In a stimulating enquiry, drawing on contemporary writers as well as those of antiquity,Michel Delon succeeds in pinpointing thepredilection fornew pleasures as positive aspects of existence rather than a threat to established order. Early nineteenth-century views on the authors of the previous century, through a competition at the Institut, are analysed by Jean Jacques Tatin-Gourier. The time-honoured greats are not neglected, with studies on Voltaire as historian ofEurope, memory and identity inRousseau's Reveries, 'figures d'absence' inDiderot, and war in the thought ofMontesquieu. The presence of ge ology in theEncyclopedie is reassessed by JeanEhrard. The late Jacques Proust deftly reveals JohnLocke's reaction toProtestantism inFrance. In short, this is a collection which provides a heterogeneous and appetizing menu worthy of its recipient,who, it is claimed, 'vise toujours a situer lephenomene litterairedans une histoire litteraire, saisie dans toutes ses dimensions' (p. 9). QUEEN'S UNIVERSITY BELFAST SIMON DAVIES Identityand Transformation in the Plays ofAlexis Piron. By DEREK CONNON. London: Legenda. 2007. x+I82pp. ?45. ISBN 978-I-904350-69-9. Alexis Piron is one of those writers whose range was broad in its time, but who is arguably known today only for his erotica, especially the Ode a Priape, forhis Voltaire-baiting, and forhismasterpiece for theComedie-Franvcaise, La Metromanie of I738. Derek Connon's book surveys a broad range of his theatre, fromhiswriting for theFairs, opera parodies, opera-comique, grande comedie, and tragedy.Structured generically, iteschews a chronological examination of his career toconcentrate upon important examples of his work in each of thesemajor genres, preferring to save until relatively late theearly, formativeworks fortheFairs inorder tobegin insteadwith La Metromanie on thegrounds that this ishis best-known work, and encapsulates many features of his work as a whole. The effect, as one progresses through the book, is ...
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