Triumph Of Justice Research Articles

ПЕДАГОГИКА КОММУНИКАТИВНОЙ КУЛЬТУРЫ БУДУЩЕГО ПРОКУРОРСКОГО РАБОТНИКА

The result of bibliographic and field research was the confirmation of the hypothesis that the effectiveness of the professional activity of the future prosecutor’s worker is determined by active and competent participation in the anthropic process of comprehending the specifics of professional communications already at the stage of obtaining professional education. The authors consistently present and meaningfully reveal the categories of “education”, “culture”, “communicative culture”, “communication”. The upbringing of a communicative culture in the cultural space of a law school will ensure in the future a positive impact on the subject and interaction between subjects in professional activities within the framework of the law as a true value of social order and the triumph of justice. The scientific novelty of the work lies in identifying the axiological level of the communicative culture of the future prosecutor’s worker, the most important task of which is the approval of communicative values that authorize the program of interaction in prosecutorial activities; fixation of pedagogical norms, commensurate with the humanitarian nature of the modern personality, “returned” to communication “after hitches, breaks, indistinctness” (Schegloff) interaction. Pedagogical intentions in the communicative culture of future prosecutors are determined. The phenomenon of education of communicative culture in axiological and culturological approaches has been studied. The upbringing of the communicative culture of the future prosecutor, creating conceptual systems of professional communication and supporting dialogue relations, will help to strengthen the semantic continuum of the space of professional activity, including the means of activity and the organization of consciousness that develops in communication (vision, understanding, meaning formation) (V.M. Rozin). The results of the study can be used in the education of future prosecutors in the communicative space of a law school and in the formation of a system of educational work in the prosecutor’s office of the Russian Federation.

Nuremberg Trials: the triumph of justice or the trial of the victors? (Reflections on the book by A.N. Savenkov “Nuremberg: A Verdict for name of Peace”

Nuremberg Trials: the triumph of justice or the trial of the victors? (Reflections on the book by A.N. Savenkov “Nuremberg: A Verdict for name of Peace”

IRONY IN IRONIC DETECTIVE

A modern detective is not possible without irony. First, the worldview of modern man is riddled with irony, which representatives of postmodernism correctly noted. Modern authors bring an ironic attitude to their works. Secondly, the detective, due to the variety of forms, provides the greatest opportunities for realizing the diverse properties of irony. But epic irony is most fully manifested here. She can be not only evil, mocking, but also lyrical, kind. The female ironic detective is so kind ironic. The modern detective, including the ironic one, corresponds to the classical formula: detective and the crime that the detective reveals. Therefore, two stories are intertwined in the detective story. The first is a crime disclosure story, which may include the story of the crime itself. The second is the history of the thought process that led to the disclosure of the crime. They can be combined into one detective narrative: from a crime to its disclosure through a chain of deductive inferences. The narrative design of the detective makes it possible to clearly show the predetermination of the outcome towards which the narrative is moving: solving a crime, victory of good over evil. In addition to the narrative, which determines the plot of the work from the beginning to the end, non-narrative structures are also presented in the detective text: descriptions, reasoning, dialogs, generalizations, performativeness, etc. They are not directly related to the plot. But it is in them that irony is predominantly represented. The narrative itself does not lend itself to irony, since there is the triumph of justice. Is it appropriate to call such a detective ironic? It is significant that modern authors make the detective not a professional, but an amateur, and he usually does not use the classical rational, logical, analytical methods, which in the classical version lead to success. Such a maneuver creates additional space for irony in the narrative itself. It is the ironic narrative that should be responsible for classifying the work as an ironic detective.

The Role of the Russian Judicial Reform in Improving Judicial and Pre-Trial Proceedings in the Criminal Procedure in Modern Times

The judicial reform implemented in the Russian Federation and the ongoing judicial construction remain the most important directions of state policy. The paper contains a comprehensive analysis of the organizational foundations of the judiciary, an understanding of the constitutional principles of the judicial system and its features, and includes a study of criminal procedure legislation at various stages of the formation of the Russian state. The methodological basis of the study is a combination of theoretical and empirical research methods. The combination of the analytical and comparative legal method made it possible to form an idea of the evolution of the judicial system and criminal procedure legislation, to compare the legal acts regulating the judicial system and legal proceedings, which made it possible to draw conclusions about the achievements and shortcomings of legal regulation of the area in question. In general, the authors conclude that the reform of the judiciary is positive, since it will increase the accessibility, effectiveness and transparency of justice — the triumph of justice based on the rule of law.

AL-IMAM AL-MAHDI AL-MUNTADHAR PERSPEKTIF SUNNI SYI’AH

Imam Mahdi is believed by both Sunni and Shiite Muslims to be present at the end of time. This belief is reinforced by the Qur'an and Sunnah of the Prophet Muhammad SAW. But they differed in their views regarding the figure of Imam Mahdi al-Muntadhar. Even among Sunnis and Shiites themselves have a variety of views. Among Sunnis there are three opinions about the Mahdi. First, Imam Mahdi comes from the descendants of Fatimah az-Zahra, whose name is the same as the name of the Prophet Muhammad. and the name of his father is the same as the name of his father the Prophet Muhammad, namely Abdullah. Secondly, Imam Mahdi is only a figure of a savior of human life. Thus, he does not have to come from the descendants of Fatimah az-Zahra, but a Muslim. Third, Imam Mahdi is not an individual figure but a symbol of the triumph of truth over evil or the triumph of justice over injustice. This assumption is widely held by modern thinkers. Among the Shiites there are also three opinions regarding the figure of the Mahdi. First, the Kaisaniyah class who considered Muhammad bin Hanafiah, the son of Ali bin Abi Talib as Imam Mahdi. Secondly, the Shia Isma'iliyah as-Sab'iyah (Shia Seven Imams) claims Isma'il bin Ja'far as-Sadiq as the Mahdi Imam. Third, the twelve Shi'ites or the Imamiyah Shiites consider the Mahdi priest to be the twelfth imam named Muhammad bin Hasan al-Mahdi. His father's name was Muhammad bin al-Hasan al-'Askari bin Imam Ali al-Hadi bin Imam Muhammad al-Jawad bin Imam Ali Ar-Ridha bin Imam Musa al-Kadzim bin Imam Ja'far Ash-Shodiq bin Imam Muhammad al-Baqir bin Imam Ali Zainal Abidin bin Imam al-Husain bin Imam Ali bin Abi Talib as. His mother was Nargis who was a spokesman.

АНАЛІЗ ВИКРИВЛЕНЬ ДЕРЖАВНОЇ СЛУЖБИ ТА ПУБЛІЧНОГО УПРАВЛІННЯ В ТВОРЧОСТІ М.Є. САЛТИКОВА-ЩЕДРІНА

Outstanding Humanists of the 19th Century, Mikhail Yevgrafovich Saltykov-Shchedrin and Fedor Mikhailovich Dostoevsky, offer us in our present day, from their anti-historical antiquity, actual thoughts on state power – from its abuses and abuses. In our previous articles, we drew attention to the analysis of the problems of statehood in the novels of FM Dostoevsky, and we will turn to this topic – and now we will concentrate on the thoughts of the famous associate Dostoevsky on the democratic movement in culture – ME. Saltykov-Shchedrin. The purpose of the article is an analysis, on the example of creativity M.E. Saltykov-Shchedrin, the attitude of the government to society and man – through the prism of distortions of the civil service and public administration. The author of the article puts forward the corresponding tasks: to follow the peculiarities of the state-management biography of ME Saltykov-Shchedrin; understand Shchedrin's philosophy of history; to pay attention to the cardinal problems of the social structure of the state, autocratic-bureaucratic power – which are put and resolved by the writer; to explore grotesque and symbolic image of Saltykov-Shchedrin social and state-management pyramids; trace the artistic satirical analysis of images of public executives. All his artistic gift, «all the forces of his mind and heart,» as at the end of life, ME will say about himself. Saltykov-Shchedrin in a semi-auto-biogagic fairy tale «An Adventure with Kramolnikov», he is a «seditious writer» – given his cause for the revival of a «spoiled homeland», the cause of involving the people in conscious political activity, the awakening of the reader's sense of personal responsibility for the unstable course of national history and modern times . With all the extraordinary complexity of the original «azopic manner» of his satirical story, the inner, hidden content of his satire in general was quite clear, so that – from year to year, for many decades – to cause anxiety and admiration for others. Roman Saltykov-Shchedrin is also called «satirical chronicle» and «political pamphlet.» In it, the writer «azopovsky language» critically transmitted the history of their state. The whole reality of the city of Glypova and its management are contrary to normal human life; its rulers – angry, brutal dolls, their goal – the destruction of everything thinking. Thus, the mayors in the Saltykov-Shchedrin novel are completely inappropriate individuals who are not capable of managing any state structure and should not be in power or power at all. All their actions – contradictory and meaningless. One comes to the place of another, but in the life of the people nothing changes. All public administrators in «History of one city» have the following common features: foolishness, self-control, greed, corruption, despotism, immorality. Externally, they are «humanoid», and internally saturated only by thirst for profit in any way. Shchedrin, undoubtedly, is a follower of MV in the image of an ugly society and ugly state administration. Gogol In the «Dead Souls» of Gogol, the world seems to split in two: two realities coexist simultaneously – «poetic» and «prosaic»; it is Russia with its talented, full-fledged creative forces, the people – and the autocratic feudal empire, which put the brand of deformity. The crisis experienced by the state, according to Gogol, has reached such a degree that the question arises of the further existence of the state. And the direct follower of Gogol's case is Shchedrin. Satire M.E. Saltykov-Shchedrin was on the side of those who fought for the triumph of justice and truth. The writer believed in the destruction of a stupid way of life, in the victory of the immortal ideas of true humanistic progress. «Carthage must be destroyed!» – as if the writer calls: «Carthage» of state silly tyranny, arbitrariness, totalitarianism, antihumanity.

Kryminał w literaturze polskiej XIX wieku. Kilka uwag

Tematem artykułu jest próba opisu warunków, które ukształtowały polski kryminał w XIX stuleciu. Autorka bierze pod uwagę kontekst kryminału zachodnioeuropejskiego i jego wzorce literackie oraz kulturowe. Kładzie również nacisk na przemiany społeczno-polityczne pierwszej połowy XIX wieku w Europie. Jednak zestawiając ową sytuację z warunkami, które ukształtowały polską fikcję kryminalną dostrzega wyraźne różnice. Dotyczą one sfery kulturowej, a przede wszystkim warunków historyczno-politycznych związanych z czasem zniewolenia. Sytuacja życia pod zaborami stworzyła szereg ograniczeń widocznych choćby w kreacji postaci detektywa jak i rozwiązań fabularnych samej powieści, w której triumf sprawiedliwości w klasycznej postaci bywa znacznie ograniczony. Polska fikcja kryminalna tego czasu jest dość ściśle związana z ówczesną kulturą. Powstanie tego gatunku w literaturze polskiej nie jest dziełem jednego autora, ale wypadkową wielu działań. Jednak przede wszystkim autorka postrzega jego związki z polityką i historią.

Astraea at Lepanto: Lattanzio Gambara’s frescoes in Palazzo Lalatta, Parma

This study examines the so-called Allegory of the Battle of Lepanto painted by Lattanzio Gambara in Palazzo Lalatta in Parma. In the context of the artistic celebration of the Christian victory, the large fresco is a paradigmatic case study as far as the practice of transforming the battle into an événement is concerned. The research focuses on the iconographic aspects of the artwork. Therefore, the essay identifies the motifs employed by the artist and investigates their semantic function within the symbolic repertoire of Western rhetoric against the Ottoman Empire. Thus, this study advances a hypothesis about the fresco’s meaning in the context of the battle of Lepanto, and, in a wider perspective, the cultural clash between East and West. So, the analysis leads to consider the fresco a representation of the idea that the apotheosis of Justice, painted in the centre of the vault, coincides with (or depends on) the defeat of the Turks and the deadly sins, whose personifications are represented around the Justice. Moreover, the research suggests that the triumph of Justice (on vice) implies a reference to the Astraea myth, frequently used as a political allegory in relation to the Ottoman threat, for that myth entails the idea of the universal renovatio, which is traditionally connected to the defeat and conversion of the “Infidels” in Western thought.

I. Lopukhin, a “Spiritual Knight”: A Dialogue with Power and Conscience

This article studies the conflict between Moscow Martinists and Catherine II in the second half of the 1780s and early 1790s as reflected in The Notes of Senator I. Lopukhin, a famous Freemason and theorist of Moscow Martinism. The Notes describe the formation of the “spiritual knight” as one of the variations of the “interior man”, a concept of the anthropological Masonic myth whose theoretical foundations were developed by Lopukhin in his treatises Some Characteristics of the Interior Church (1789) and The Spiritual Knight, or Searching for Wisdom (1791). The Notes not only contain a classic example of spiritual knighthood connected with overcoming one’s own ill will but also aim to protect Masonry as a cultural and religious movement from the ungrounded criticism from the authorities. Lopukhin disputes Catherine II’s anti-Masonic works of the 1780s and exposes the mechanisms behind anti-Masonic public opinion in Russia. He maintains that it is possible to morally defeat one’s oppressors by means of one’s own virtue combined with the ruler’s good will, as it is their task to decide the fate of the unjustly convicted spiritual knight. Despite the fact that cases of the ruler acting in accordance with her conscience were singular and did not influence Catherine’s decision concerning the sentences of other Moscow Martinists, for Lopukhin such a demonstration of mercy was symbolic. He argues that any person is capable of spiritual rebirth, be it Samolyubov, a landowner from his The Triumph of Justice and Virtue, or the Good Judge, or an autocratic ruler of a vast empire.

A "Triumph of Justice" in Alabama: The 1960 Perjury Trial of Martin Luther King, Jr.

Previous articleNext article No AccessA "Triumph of Justice" in Alabama: The 1960 Perjury Trial of Martin Luther King, Jr.Edgar DyerEdgar Dyer Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by The Journal of African American History Volume 88, Number 3Summer 2003 A journal of the Association for the Study of African American Life and History Article DOIhttps://doi.org/10.2307/3559070 Views: 40Total views on this site PDF download Crossref reports no articles citing this article.

The Triumph of Justice

The Triumph of Justice