Translation Of Tales Research Articles

Notas sobre Clarice Lispector e a tradução da literatura gótica anglófona

Este texto analisa três traduções brasileiras de obras literárias góticas anglófonas feitas pela aclamada autora Clarice Lispector. Traduções de Tales of the Grotesque and Arabesque, de Edgar Allan Poe, The picture of Dorian Gray, escrito por Oscar Wilde, e Interview with the vampire, de autoria de Anne Rice, foram comparadas e contrastadas em busca de regularidades na abordagem de Lispector para a literatura gótica. Os achados demonstram que Lispector utilizou um registro alto em suas três traduções, uma abordagem que, surpreendentemente, pode refletir o cuidadoso uso de língua daquela autora na tradução de diferentes tipos de texto.

CHILDREN IN FRENCH LITERATURE DURING THE LAST CENTURIES AND THEIR UZBEK TRANSLATIONS

In this article are analyzed the world view of children in French literature during the last centuries and his transmission into Uzbek translations in a comparisons with other works of centuries with allow to establish the differences in the lives of children as well as the imagination of today's children. In particular, for the nineteenth century is chosen “Without family”, written in 1878, one of the most famous novels of Hector Malot and “Mondo and other stories” of JMG Le Clézio, published in 1978, exactly a century after “Without family”. Also, is analyzed the reproduction of French reality words in Uzbek translations as well as to study other translation problems that translators may encounter during their work. For this purpose is chosen the originals of Ch. Perrault's tales as well as their Russian and Uzbek translations in a comparisons of the Uzbek translations of tales by Ch. Minovarov, M. Kholbekov, T. Alimov, I. nZorov and A. Akbar. During the analyzes are revealed several functions of translation such as communicative, cultural common, knowledge-luminous, educational etc. The translation literature serves not only to spread knowledge about the world and man, but actively promotes the formation of the worldview, morale, taste, orientation of values in person, the creation of accurate reports between people, i.e. promotes the establishment of our political, aesthetic, moral and value to life.

Fitzgerald's Many Places: (Re)translation and Displacement

Abstract This keynote address presented at the 15th International F. Scott Fitzgerald Society Conference in Toulouse, France, on 28 June 2019, examines several theoretical issues arising from French translations of various Fitzgerald works. Drawing from a range of translation theorists including Friedrich Schleiermacher, Clive Scott, Antoine Berman, and others, it explores in particular the “in-betweenness” of translation, noting how translators are akin to frontiersmen and women operating on textual borders by observing the “exchanges and shifts” inherent in linguistic choices and reception contexts. Focusing on the author's own translations of Tales of the Jazz Age, it discusses the challenges of navigating between literalism and figurative approximation by contrasting her search for French corrollaries to American colloquialisms with those of Suzanne Mayoux, an earlier translator of two key stories from that collection, “The Camel's Back” and “The Jelly-Bean.” It then turns its attention to four extant French translations of Tender Is the Night, noting how differently Marguerite Chevaley (1951), Jacques Tournier (1985), Phillippe Jaworski (2012), and Julie Wolkenstein (2015) address nuances in Fitzgerald's expatriate novel. Ultimately, the range in these translations suggests the liminal position Fitzgerald occupies in the French literary marketplace.

Shakespeare in Chinese as Christian Literature: Isaac Mason and Ha Zhidao’s Translation of Tales from Shakespeare

The introduction of Shakespeare to China was through the Chinese translation of Mary and Charles Lamb’s adaptation of Shakespeare’s plays, Tales from Shakespeare. The Western missionaries’ Chinese translations of the Lambs’ adaptation have rarely been studied. Isaac Mason and his assistant Ha Zhidao’s 1918 translation of the Lambs’ book, entitled Haiguo Quyu (Interesting Tales from Overseas Countries), is one of the earliest Chinese versions translated by Christian missionaries. Although Mason was a Christian missionary and his translation was published by The Christian Literature Society for China, Mason adopted an indirect way to propagate Christian thoughts and rewrote some parts that are related to Christian belief. The rewriting is manifested in several aspects, including the use of four-character titles with Confucian ethical tendencies, rewriting paragraphs with hidden Christian ideas and highlighting themes closely related to Christian ethics, such as mercy, forgiveness and justice. While unique in its time, such a strategy of using the Chinese translation of Shakespeare for indirect missionary work had an impact on subsequent missionary translations.

Bajke u Italiji u 20. stoljeću i prevođenje Priča iz davnine

Bajke u Italiji u 20. stoljeću i prevođenje Priča iz davnine

Folklore concerning Tsong-kha-pa

The article is a selective translation of tales centering around Tson-kha-pa (1357-1419), the great Tibetan Buddhist reformer, and Taer Temple, the monastery near Xining, Qinghai, located on the spot where Tsong-kha-pa is believed to have been born and where his remains are kept and venerated. The tales, from the regions surrounding Taer Temple, relate the circumstances of Tsong-kha-pa's birth, his youth and development, and some of the miracles he performed. They also recount the origin of the highest offices of Tibetan Buddhism - those of the Dalai Lama and Panchen Lama - and of some of the main rituals heald annually at Taer Temple. The tales present a picture of how the common people view the great Tibetan saint. A brief introduction describes the ethnic and geographical setting of the tales.