ABSTRACT In The Shuttle (1906), Frances Hodgson Burnett explores the mercenary dimensions of the transatlantic marriage alliances of the late nineteenth and early twentieth. In The Shuttle, the naïve Rosalie Vanderpoel, is harangued and beaten into submission by her husband, Sir Nigel Anstruthers, into relinquishing her inheritance, money he has no access to without Rosalie's authorisation. Drawing from the work of Lisa Surridge, Sarah Wagner-McCoy and Thomas Recchio, this article explores how The Shuttle centres domestic violence and its impact. Surridge argues that scenes of domestic violence can be seen as “peripheral” or on the border of a narrative. By moving the transatlantic courtship plot of Bettina Vanderpoel and Lord Mount Dunstan to the border of the narrative, this essay explores the ways that Burnett problematises transatlantic marriages. Sir Nigel's considered and deliberate plans for abuse shape the novel, and the enduring ramifications of the traumas he inflects through outright violence, emotional manipulation and neglect are what Bettina Vanderpoel undoes to rescue her sister. Investing her family funds into the estate Sir Nigel has bankrupted, Bettina models a different form of transatlantic alliance, one of active investments in the English country estate to better the community.