Comic Crisis Heather Houser (bio) Solar. Ian McEwan. Nan A. Talese/Doubleday. http://nan-a-talese.knopfdoubleday.com. 287 pages; cloth, $26.95. "Now, increasingly, we are one vast civilization, and we sense that it is the whole laboratory, the whole glorious human experiment, that is at risk. And what do we have on our side to avert that risk?… [A]bove all, we have our rationality, which finds its highest expression and formalization in good science…. Pessimism is intellectually delicious, even thrilling, but the matter before us non-scientists is too serious for mere self-pleasuring." Penned by British novelist Ian McEwan in a 2007 essay, these observations about the obstacles to and tools for averting climate change motivate his fictional foray into the topic with Solar. In his tenth novel, rationality and pleasure are no longer Manichaean choices. The dictates of reason and the allures of pleasure—particularly in its carnal and gustatory forms—both pull on physicist Michael Beard, a late-middle-aged Nobel laureate who falls into a second career of environmental entrepreneurship. The easy coexistence of rationality and sensuality in Beard pushes readers to doubt whether hormonally complex humans can possibly take action against large-scale threats whose solutions threaten self-interest. Solar strives to ignite wonder, an emotion that defines much environmentally concerned literature. Rather than the imperiled marvels of the nonhuman world, however, McEwan proffers Beard as the specimen toward which we direct our amazement. Solar thus approaches climate change through a study in character that hews to the conventions of literary realism. More precisely, the novel is a study in motivation, a subject familiar to McEwan devotees. We see Beard at three points in time—2000, 2005, and 2009—as he first feels shame, longing, and misery; as he struggles to resuscitate a ruined marriage and a waning career; as he heads a renewable energy project despite his tepid interest in "the course of a catastrophe"; and as his stomach gurgles anticipating the deep-fried cheese, American-sized breakfasts, and potato chips that lead him to obesity, heart disease, and inadvertent food theft on a London train. Inconsequential and momentous decisions alike bend his life's path and the path of others in his orbit. The novel asks: Given the human nature we see exaggerated in Beard, why should we ever expect to overcome our "wild success" as proliferative, consuming creatures, akin to "a ravaging bloom of algae, a mold enveloping a soft fruit," to stem climate change and preserve a wider nature? Solar opens with a man's deterioration rather than flourishing. The fifty-three-year-old Londoner Beard stumbles on rich emotion only when his nubile wife, Patrice, leaves him for the "help," a builder named Rodney Tarpin. The paunchy Beard uses his status as Nobel winner and head of various centers and academic departments to bed several women, but Patrice's adultery undoes him. The novel's perspective is largely Beard's despite the third-person narration, yet McEwan deftly balances the reader's incredulity toward and recognition of—if not sympathy for—a once thriving, now senescing man whose personal plight echoes his species': his success is his undoing. The narrative strikes this balance as Beard moves between home and workplace. His latest sinecure is as head of the National Center for Renewable Energy, which is developing the "Wind turbine for Urban Domestic Use," an unadventurous project that wastes tax dollars. Tom Aldous, a young postdoctoral researcher, dogs his boss with another proposal: by building on Beard's Nobel-worthy discovery—the vaguely sketched "Beard-Einstein Conflation"—the Center can generate energy through artificial photosynthesis and make its members true environmental saviors and moguls. When the elder researcher finds that Patrice is also cuckolding him with Aldous, he chances upon a way to snatch credit for the young man's scientific innovation. This comes about through a plot twist that's worth not spoiling. It's Solar's decisive moment and displays McEwan's talent for narrative pacing. The two cases of cuckoldry bookend the "2000" portion of the novel while the centerpiece is Beard's trip to the Arctic Circle, which the author visited with the Cape...
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