The production of cloth was a vital aspect of the early modern economy. Women were involved in almost all stages of the process, both in unofficial capacities and sometimes as officially recognized or tolerated artisans. However, associations between women and unskilled labor and guild fear of economic competition led to both legal restrictions and social stigma around women’s involvement in artisan textile work. This pushed more women into low-paying piecework, especially spinning. Spinning was the form of textile work women were most encouraged to do, or least restricted from. As one of the most common types of womens’ labor, it carried both positive connotations of diligence and the social stigmas that followed women as workers, such as anxieties around poverty, sexual immorality, and threats to the stability of male guilds. This essay investigates social attitudes towards women’s textile work, followed by a creative component which examines the spinning process directly.
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