Reviewed by: Body and Spirit in the Middle Ages: Literature, Philosophy, Medicine ed. by Gaia Gubbini Sarah Friedman Gaia Gubbini, ed., Body and Spirit in the Middle Ages: Literature, Philosophy, Medicine ( Berlin: De Gruyter, 2020), 284 pp. Body and Spirit in the Middle Ages: Literature, Philosophy, Medicine, edited by Gaia Gubbini, consists of fourteen papers presented at a 2014 conference at the Freie Universität Berlin. The conference was funded by the Alexander von Humboldt Foundation for Gubbini's project "Breath, Sighs, and Spirits in Medieval Romance Literature." The essays in the volume, written in French, English, and Italian, examine how medieval philosophy, medicine, and literature theorized the "body and spirit question," and shed light on "the complex nature of the medieval Self" (11). While the essays are not grouped into themed sections, there are discernible thematic patterns that unite the contributions, which Gubbini helpfully highlights in her introduction. Gubbini, Danielle Jacquart, and Éric Palazzo analyze the multivalent concept of spiritus; Sarah Kay and Joachim Küpper analyze skin, senses, and emotions; Andreas Kablitz, Stephen G. Nichols, and Howard Bloch analyze the dynamics of mind and body through the lens of gender and sexuality; Aurélien Robert and Massimo Ciavolella analyze representations of illness and bodily imbalance; Irene Caiazzo and Nicolas Weill-Parot analyze the relationship between celestial and terrestrial; and, finally, Franco Suitner and Carla Casagrande analyze the representation of body and spirit in the mystic tradition. In addition to the unifying themes that Gubbini identifies, some of the essays connect in their disciplinary focus and methodological similarity. Multiple essays examine literary representations of bodily experience in light of medical, philosophical, and theological writings. Gubbini's contribution, "Corps et esprit: Les ohls espiritaus de Bernard de Ventadour et la maladie de Tristan," draws on the works of Patristic and medical writers to examine how body and spirit converge in representations of psychosomatic experience in the work of Bernard de Ventadour and in Anglo-Norman romances dedicated to the story of Tristan and Iseult. Also focusing on psychosomatic experience in medieval poetry, Ciavolella's "Melancholy and Creativity in Petrarch" examines Rerum vulgarium fragmenta (1330–74; later titled Il Canzoniere) and Secretum (1342–58) alongside classical and medieval philosophical theories of fantasy to underscore how Petrarch represents humoral imbalance and poetic creativity as intertwined. Kablitz's essay, "Petrarch and the Senses: Petrarch's Anthropology of Love and the Scholastic Transformation of Christian Ethics," performs a close reading of sonnets from Canzoniere alongside Aquinas's Quaestiones disputatae de malo (13th c.) to exemplify how scholastic philosophy's "dismissal of the self-evident superiority and power of reason and its consequences" manifests in Petrarch's [End Page 255] poetic corpus (210). Suitner's essay, "La poésie mystique: Iacopone de Todi et les contradictions de l'âme," demonstrates how the Franciscan poet Jacopone da Todi drew heavily on Franciscan mysticism's Christocentric presentation of the body as a vehicle for both sin and salvation. Instead of examining how nonliterary genres of texts influenced literary texts, Robert's essay, "Amour, imagination, et poésie dans l'oevre médicale de Gentile da Foligno," examines the presence of literary tropes within fourteenth-century Italian physician Gentile da Foligno's commentary on Avicenna's Canon. The essay compellingly demonstrates the link between Gentile da Foligno's analysis of Avicenna and poetic descriptions of lovesickness in works by Dante, Boccaccio, Petrarch, and Cavalcanti. Other essays, such as Küpper's "The Medical, the Philosophical, and the Theological Discourses on the Senses," Weill-Parot's "'Le contact virtuel' entre un esprit et un corps et l'action à distance," and Caiazzo's "Le philosophie, les astres, et la physiognomy au XIIIe siècle," connect in their examination of how the disciplines of medicine, philosophy, theology, and even astrology mutually influenced one another and, at times, diverged in their conceptualizations of the body and spirit. Küpper considers the differences and similarities between how medieval theologians and physicians conceived of "post-sensory processing mechanisms" (112). He highlights key differences in how these disciplines approached the question of how the mind converts "quantitative into qualitative data" (112), and compellingly argues that one observes "an acceptance of theoretical plurality" within "official" medieval...