Changes In Text Research Articles

Neural network embeddings on corporate annual filings for portfolio selection

In recent years, there has been an increased interest from both academics and practitioners in automatically analyzing the textual part of companies’ financial reports to extract meaning rich in information for future outcomes. In particular, tracking textual changes among companies’ reports can have a large and significant impact on stock prices. This impact happens with a lag implying that investors only gradually realize the implications of the news hinted by document changes. However, the length of these documents as well as their complexity in terms of structure and language have been increasing dramatically making this process more and more difficult to perform. In this paper, we analyzed how to face this complexity by learning arbitrary dimensional vector representations for US corporate filings (10-Ks) from 1998 to 2018, exploiting and comparing different neural network embedding techniques which take into account words’ semantics through vectors proximity. We also compared their ability to capture changes associated with future risk-adjusted abnormal returns with other more commonly used approaches in literature. Finally, we propose a novel investment strategy named Semantic Similarity Portfolio (SSP) that exploits these neural network embeddings. We show that firms that do not change their 10-Ks in a semantically important way from the previous year tend to have large and statistically significant future risk-adjusted abnormal returns. We, also document an amplifying effect when we incorporate a momentum-related criterion, where the companies selected must also have had positive previous year returns. Specifically, a portfolio that buys “non-changers” based on this strategy earns up to 10% in yearly risk-adjusted abnormal returns (alpha).

Resigned to Fate or Resigning to Vote: The Idaho Test Oath and Woolley v. Watkins

Research Article| October 01 2020 Resigned to Fate or Resigning to Vote: The Idaho Test Oath and Woolley v. Watkins John S. Dinger John S. Dinger JOHN S. DINGER is a graduate of the S. J. Quinney College of Law, University of Utah, Salt Lake City, where he was an editor of the Utah Law Review. In addition to a juris doctorate, he holds degrees in political science and history from the University of Utah. He has published in the Journal of Mormon History, John Whitmer Historical Association Journal, Idaho Law Review, and Utah Law Review. His book, The Nauvoo High Council and City Council Minutes (Signature Books, 2011), won the Best Documentary Book Award from the Mormon History Association and the Best Book Award from the John Whitmer Historical Association. In 2013 he published Significant Textual Changes in the Book of Mormon: The First Printed Edition Compared to the Manuscripts and to the Subsequent Major LDS English Printed Editions (Smith-Pettit Foundation, 2013). He is presently a deputy prosecuting attorney for Ada County in Boise, Idaho. Search for other works by this author on: This Site Google Journal of Mormon History (2020) 46 (4): 60–89. https://doi.org/10.5406/jmormhist.46.4.0060 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation John S. Dinger; Resigned to Fate or Resigning to Vote: The Idaho Test Oath and Woolley v. Watkins. Journal of Mormon History 1 October 2020; 46 (4): 60–89. doi: https://doi.org/10.5406/jmormhist.46.4.0060 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressJournal of Mormon History Search Advanced Search The text of this article is only available as a PDF. Copyright 2020 by the Board of Trustees of the University of Illinois2020 Article PDF first page preview Close Modal You do not currently have access to this content.

Multidimensional analysis of Master thesis abstracts: a diachronic perspective

This study aims to investigate the diachronic change of Master thesis abstracts written by Chinese students in the applied linguistics. A corpus of 1000 English abstracts was built with 100 abstracts per each year during a 10-year period from 2009 to 2018. Based on the multidimensional analysis, both the textual and linguistic changes were investigated. To be specific, the Biber’s (Variation across speech and writing, Cambridge University Press, Cambridge, 1988) six-dimension model was adopted to capture the dimensional and linguistic styles of abstracts in each year. Multidimensional analysis tagger (Nini in Multidimensional analysis tagger (version 1.3), 2015. http://sites.google.com/site/multidimensionaltagger) was used to automatically extract the data including the z-scores of dimensions and linguistic features. Further analysis focusing on the linguistic features of each dimension was performed by using stepwise regression analysis. The results showed that there was a pattern of a 3-year cycle of abstract style and the textual feature of Dimension 1 and linguistic features of Dimension 1, 3 and 5 had significant differences during these years. Two reasons, internal and external, were suggested to interpret the diachronic evolution of English abstracts by Chinese students.

Profiles of undergraduate student writers: Differences in writing strategy and impacts on text quality

This study aimed to identify undergraduate students' writing profiles based on quality of planning output, revision changes between the first and final drafts, and quantity of Internet searches while writing digitally. To investigate the performance of each profile, the differences in text quality according to students' profile membership were also examined. 260 Korean undergraduate students participated in the study and wrote an opinion essay. Latent profile analysis and one-way MANOVA were adopted as analytic tools. Four profiles emerged: Revision-based, Plan-based, Search-based, and Correction-based Writers. Correction-based Writers who showed many surface-level changes represented the majority. Revision-based Writers who showed many sentential and textual changes outperformed the other three profiles; the other profiles did not show significant differences in text quality between each other. The research findings corroborated evidence for the existing issue of planning vs. revising strategies and presented educational implications based on analyzing the current state of undergraduate students' writing.

The Privacy Policy Landscape After the GDPR

Abstract The EU General Data Protection Regulation (GDPR) is one of the most demanding and comprehensive privacy regulations of all time. A year after it went into effect, we study its impact on the landscape of privacy policies online. We conduct the first longitudinal, in-depth, and at-scale assessment of privacy policies before and after the GDPR. We gauge the complete consumption cycle of these policies, from the first user impressions until the compliance assessment. We create a diverse corpus of two sets of 6,278 unique English-language privacy policies from inside and outside the EU, covering their pre-GDPR and the post-GDPR versions. The results of our tests and analyses suggest that the GDPR has been a catalyst for a major overhaul of the privacy policies inside and outside the EU. This overhaul of the policies, manifesting in extensive textual changes, especially for the EU-based websites, comes at mixed benefits to the users. While the privacy policies have become considerably longer, our user study with 470 participants on Amazon MTurk indicates a significant improvement in the visual representation of privacy policies from the users’ perspective for the EU websites. We further develop a new workflow for the automated assessment of requirements in privacy policies. Using this workflow, we show that privacy policies cover more data practices and are more consistent with seven compliance requirements post the GDPR. We also assess how transparent the organizations are with their privacy practices by performing specificity analysis. In this analysis, we find evidence for positive changes triggered by the GDPR, with the specificity level improving on average. Still, we find the landscape of privacy policies to be in a transitional phase; many policies still do not meet several key GDPR requirements or their improved coverage comes with reduced specificity.

A Plethora of Bashvilles: Shaw's “Masterpiece” and the Musicals It Spawned

ABSTRACT Shaw's 1901 play The Admirable Bashville, itself an adaptation of his novel Cashel Byron's Profession, has twice been adapted for the professional musical stage. In the first of these adaptations, the 1983 Bashville, Shaw's play was left largely untouched in favor of an outwardly reverential adaptation that inserted songs at various points in the original text and expanded its nonspeaking cast to allow for large-scale musical ensembles. In contrast, the 1995 Bashville in Love was a much smaller-scale work that took considerable liberties with its source material. This article analyzes the textual changes and musical treatments in both works and concludes that the latter adaptation, in spite of its numerous departures from Shaw's play, is in fact the more Shavian of the two musicals.

Text Sophistication and Sophisticated Investors

Evidence from linguistics relates lexical diversity, i.e., the propensity of the writer to employ rich vocabulary, to cognitive ability. We find that lexically diverse hedge funds outperform lexically homogeneous hedge funds after adjusting for risk. Lexically diverse funds outperform by exploiting textual changes in corporate disclosures and harnessing qualitative information about firm manager's decisions. Data on sibling fund lexical diversity together with an instrumental variable approach and regressions address endogeneity concerns. Investors react correctly but not fully to the information on fund manager skill embedded in lexical diversity. Our results support the notion that linguistic skills are helpful for investment performance.

How to Revise a True War Story: Tim O'Brien's Process of Textual Production

How to Revise a True War Story: Tim O'Brien's Process of Textual Production

EIGHTEENTH-CENTURY ORATORIO REFORM IN PRACTICE: APOSTOLO ZENO REVISES A FLORENTINE LIBRETTO

ABSTRACTAlthough the circulation and revision of Italian opera librettos is a well-known aspect of musical life in eighteenth-century Europe, the practice has hardly been touched upon with regard to the Italian oratorio of the same period. Librettist Apostolo Zeno (1668–1750) worked in and theorized about both genres, yet his involvement with the oratorio has been little studied. This article addresses three editions of an oratorio libretto by Domenico Canavese. Following versions for Florence (1712) and Pistoia (1714), a third appeared in 1726 in conjunction with a Lenten performance at the Imperial Court Chapel in Vienna. An annotated copy of the 1712 edition from Zeno's library shows that he revised the text for the Viennese performance. His textual changes – some small, some radical – reveal practical, stylistic and dramaturgical concerns. A comparison of the annotated copy with the printed libretto for the 1726 performance and the principal musical source for the new setting by Giuseppe Porsile shows that Zeno's revisions were scrupulously followed.

"marvellous and surprizing conduct": The "Masque of Devils" and Dramatic Genre in Thomas Shadwell's The Tempest

"marvellous and surprizing conduct":The "Masque of Devils" and Dramatic Genre in Thomas Shadwell's The Tempest Claude Fretz The epilogue to one of the most successful plays of the Restoration period, Thomas Shadwell's 1674 adaptation of Shakespeare's The Tempest (1611), entitled The Tempest, or The Enchanted Island, speaks of poets' ghosts that haunt actors in "Visions bloudier th[a]n King Richard's was" (Epilogue, 9).1 The epilogue suggests that the famous dream scene from Shakespeare's Richard III (c.1593), in which the king is haunted by visions of the ghosts of those he has murdered, would have been recognizable already to the first generation of theatergoers after the bard's own.2 This says something important about the attractiveness of staged dreams and visions at that time, not least because Shadwell's Enchanted Island is itself full of strange visions, including the "Masque of Devils" in 2.4, set to music by Pelham Humfrey and Pietro Reggio, in which Prospero's spirits appear onstage as devils and terrify Alonso, Antonio, and Gonzalo. Even though it took the Restoration theatre companies some time to turn to The Tempest—John Dryden and William Davenant did not revise it until 1667—Shakespeare's play is exceptionally well suited to the popular semi-operatic performance style of this period, featuring masque-like entertainment, singing, magic, and a tragicomic plot.3 I use the word "tragicomic" here mainly for want of a more appropriate critical term, because there continues to be disagreement amongst scholars over how to categorise The Tempest—as well as Pericles (1607), The Winter's Tale (1609), and Cymbeline (1610), with which it is usually grouped together. The terms "romance," "tragicomedy," "late play," and "last works" are routinely floated, but none of them are universally accepted.4 [End Page 3] A similar question of genre arises with regard to Restoration drama, despite its neo-classical undercurrents: plays like William Davenant's The Law Against Lovers (1662)—a hybrid of Shakespeare's Measure for Measure (1603) and Much Ado About Nothing (1598)—Thomas Killigrew's Pandora (1664), and John Dryden's Secret Love, or The Maiden Queen (1667) combine romantic and tragic or heroic plots.5 Most germane to the phenomenon of genre hybridization, however, are the period's so-called dramatick operas. These are a group of plays produced between 1673 and the turn of the century, including Shadwell's Enchanted Island, Henry Purcell's Fairy-Queen (1692)—an adaptation of A Midsummer Night's Dream (1595)—and Charles Gildon's Measure for Measure, or, Beauty the Best Advocate (1700). Unlike the continental operas that were entirely sung, the English dramatick operas integrated dialogue spoken by actors and interspersed with songs. Especially through their aurally and visually spectacular offering, these plays challenge dramatic precepts of verisimilitude, unity, and genre, prompting Judith Milhous to differentiate them from the Restoration's "ordinary comedies and tragedies."6 Whereas most scholarly work on Restoration Shakespeare has focused on textual changes, on the plays' political contexts, or on their musical settings, this article uses the example of the "Masque of Devils" in the 1674 Enchanted Island to show how Shadwell and his collaborators hybridized dramatic genre through spectacle. Furthermore, it argues that the integration of semi-operatic spectacle and generic innovation in the "Masque of Devils" was not purely a Restoration invention, but something that Dryden, Davenant, and Shadwell—with their aesthetic nous and political awareness—developed from Shakespeare's original Tempest.7 Rather than being a Restoration addition to the play, Shadwell's "Masque of Devils"—like Dryden and Davenant's shorter equivalent masque in the 1667 version (published in 1670)—is in fact a subtle iteration of a moment in 3.3 of Shakespeare's play, where Ariel appears as a harpy, accompanied by thunder and lightning.8 Intriguingly, 3.3 marks one of the most generically indeterminate episodes in The Tempest, because even though it belongs to a play that the 1623 folio identifies as a comedy, it relies heavily on devices derived from tragedy.9 The present article sets out to explore how Shadwell and his collaborators used a combination of spectacle and textual as well...

A piros ötven árnyalata – változatok Piroskára

In this paper I examine the most popular folk tale versions and the contemporary Hungarian children literature adaptations of the story known as Little Red Riding Hood, mainly concentrate on the boarder context and explorable intentions of the texts. Besides the narrative analysis, the visual representation is also considered, because it basically determines the reception and the fixed interpretation of the story. With all this, the aim of the paper is to show the various functions of the different versions and to analyze what kind of visual and textual changes made them suitable for children. The brief outlook taken to the paraphrases made for adults makes the operations and validity of the folk tale as metalanguage much clearer.

Внедрение имагологии в переводоведение

Imagology, the study of national and cultural images as represented in textual discourse, is a fruitful approach for disciplines dealing with textual change, such as translation studies. Both imagology and translation studies have gradually extended their area of research, which has revealed growing commonalities. Journalistic texts have for instance been included in research that was previously almost exclusively dealing with literary discourse. Moreover interest in imagological research, sometimes related to the distribution of a promoted national or cultural self-image, has now also grown in countries outside of Europe. Future perspec­tives for findings on image spread through translation are offered through collaboration with existing research in sociology and psychology.

Collisions

Collisions Speer Morgan It could be argued that in earlier centuries the sciences evolved no more quickly than other areas of thought. Until the Enlightenment was well under way, there were significant gains in understanding languages, classical literature, textual research, history, and other areas of the humanities, while in the sciences many old ideas persisted despite strong evidence to the contrary. Ptolemy's second-century view of the universe was revised by adding "cycles" and "epicycles" to planetary movement to justify the geocentric model for over fifteen hundred years. Systematic bloodletting was used for about three thousand years to cure physical ailments—well into the nineteenth century, even in the United States. Reading a popular medical book for background of a novel set in the late 1880s, I was surprised by how little was known about human biology even then, with over half of the cures and medicines described being irrelevant or even toxic. The sciences obviously reached a turning point with Darwin, however, and by the early twentieth century they were moving at a vertiginous pace, with Einstein's new picture of the universe and relativity followed almost immediately by quantum theory's bizarre world of subatomic physics. Then came the Big Bang theory, predicted in 1948 and confirmed twenty years later by Bell Lab scientists: A protouniverse almost too tiny to describe suddenly "blows up" and begins expanding, producing a jumble of fundamental particles, until now, 13.7 billion years later, we infer a universe spread over a size that can only be guessed to be about seven trillion light years across. These kinds of colossal changes in both the physical and life sciences were added to in the past half century [End Page 6] by amazing strides in areas such as the geosciences, genetics, microbiology, and medicine. Evolution in the creative arts is subtler than in the sciences and even in many other areas of the humanities, such as history. In the arts, there are of course changing methods of distribution and production, such as printing, movies, and the Internet, but the basic nature and subject matter of the arts may be less inclined to evolve categorically away from their past. This encourages me to keep several grains of salt on hand for the writer or critic who claims that an entirely new artistic approach is redefining literature. Literature continues to deal with the same broad scope of human drama and collisions, suffering, treachery, villainy, and comedy that it long has addressed. Methods of storytelling are surprisingly resilient, too. Our oldest extant narratives, orally created two or three millennia ago—the Iliad and Odyssey and parts of the Old Testament—comprise elements still used today, including heroes and antiheroes, characterization, conflict, narrative progression and framing, plots, crises, themes, motifs, and rhetorical devices such as figures of speech and climactic structure. A talented young fiction writer whose novel I am currently reading uses epithets in his novel-in-the-making—not quite the "born from Zeus" or "swift footed" ones of the Iliad—but epithets, nevertheless. Redefining and discovering different trends, writers, groupings, and periods in the arts can be useful, if only to help understand and promote them, but it should be done with humility. A good production of Shakespeare can electrify you or me and be as powerful and relevant to us as it was to a citizen of London four hundred plus years ago in the original Globe Theatre, no textual changes necessary. The aged King Lear is so self-satisfied and doting toward his three daughters that he divides his kingdom among them, causing a civil war that kills almost every major character in the play. The basic stories in much of our canon of literature are hardly subtle. Their power and wisdom come from the discoveries made about human nature and behavior through characters and their struggles. Beware of pride-bound, stubborn, pigheaded leaders—yes, and beware of the idea that the themes of classic literature are "irrelevant" today. The resiliency of literature comes also in the clear and perfect expression of the moments and moods of life through language, many examples of which cannot be forgotten—Hamlet with the skull of his...

A Critical Examination of the Coherence-Based Genealogical Method in New Testament Textual Criticism by Peter J. Gurry

Reviewed by: A Critical Examination of the Coherence-Based Genealogical Method in New Testament Textual Criticism by Peter J. Gurry Peter R. Rodgers peter j. gurry, A Critical Examination of the Coherence-Based Genealogical Method in New Testament Textual Criticism (NTTSD 55; Leiden: Brill, 2017). Pp. xiv + 254. €110/$127. Most NT scholars consider textual criticism arcane. With the advent of the Coherence-Based Genealogical Method (CBGM) the discipline just got more inscrutable and inaccessible. The great value of Peter Gurry's book, the substance of his Cambridge Ph.D. thesis (2017, supervised by Peter M. Head), is that it explains this new method and gives a positive and critical evaluation. G. begins by outlining the history and reception of the CBGM (chap. 1) and explains how it works in theory and practice (chap. 2). This method, made possible by advanced computer technology, tracks the pre-genealogical coherence at any given variation unit, and the genealogical coherence (indicating the direction of textual change). These findings are used to construct local and ultimately global stemma. G. offers thirtyeight figures to illustrate his discussion and evaluation. There follow chapters on establishing the "initial text" (chap. 3) tracking scribal tendencies in James (chap. 4), a test case related to the Harklean Syriac group of manuscripts in the CBGM (chap. 5), and the selection of variants to be treated by the CBGM (chap. 6). A final chapter includes G.'s own assessment of the method's limitations and his suggestions for improvements (chap. 7). In his conclusion, G. states that the CBGM "is a valuable tool for reconstructing the text of the New Testament and for studying its textual history" (p. 221). To appreciate the CBGM and G.'s analysis the reader must keep in mind several distinctions. The first is the initial text as contrasted with the original text. Traditionally, the goal of the discipline has been to establish the original text, that is, what the authors wrote. The initial text (German Ausgangstext) is the text that can be obtained as far back as the surviving manuscript tradition will take us. This is the focus of the CBGM. Another distinction is between manuscripts and their texts. The focus of the CBGM on texts (as distinct from manuscripts) highlights the finding of the method that a late manuscript may contain a text of a much earlier date. Minuscule 1739 had been known to contain readings that are much older than this tenth-century manuscript. CBGM has shown how widely this is the case across the tradition, and in the process has called for a higher regard for the Byzantine textual tradition. At some places, the CBGM and the resultant Editio Critica Maior (ECM) have favored a reading that is not found in [End Page 731] the earliest manuscripts. One example is 1 Pet 4:16, where the CBGM and, consequently, the editors of NA28 and UBS5 have chosen the reading μέρει, which has only late support, rather than ὀνόματι, which is found in all the earliest manuscripts. The reason for this change is that the manuscripts supporting μέρει demonstrate stronger coherence than the oldest witnesses (p72 01 03 etc.; see G., pp. 76-79). This concept of coherence is fundamental to the method. It refers to the close genealogical relationship among manuscripts. Manuscripts that demonstrate a 97% similarity are said to have "strong coherence." Those with 70% similarity in their texts demonstrate a weaker coherence. G. explains this concept at the outset, together with other terms, but a glossary of terms fundamental to the CBGM would have added to the value of the book. G.'s chapter on scribal habits engages the earlier work of James R. Royse (Scribal Habits in Early Greek New Testament Papyri [NTTSD 36; Leiden: Brill, 2006]), who demonstrated that the early scribes omitted far more than they added. New data from the CBGM shows that omissions and additions in the manuscripts of James are about even. The manuscripts that Royse was examining, however, were all pre-Constantinian. The CBGM included only manuscripts of the fourth century and later. Could the difference stem partly from a changed situation after Christianity became legal and then official? Chapter 5 features work that...

A New Copyright Bargain? Reclaiming Lost Culture and Getting Authors Paid

A New Copyright Bargain? Reclaiming Lost Culture and Getting Authors Paid

The Statistical Analysis of Acoustic Phonetic Data: Exploring Differences Between Spoken Romance Languages

SummaryThe historical and geographical spread from older to more modern languages has long been studied by examining textual changes and in terms of changes in phonetic transcriptions. However, it is more difficult to analyse language change from an acoustic point of view, although this is usually the dominant mode of transmission. We propose a novel analysis approach for acoustic phonetic data, where the aim will be to model the acoustic properties of spoken words statistically. We explore phonetic variation and change by using a time–frequency representation, namely the log-spectrograms of speech recordings. We identify time and frequency covariance functions as a feature of the language; in contrast, mean spectrograms depend mostly on the particular word that has been uttered. We build models for the mean and covariances (taking into account the restrictions placed on the statistical analysis of such objects) and use these to define a phonetic transformation that models how an individual speaker would sound in a different language, allowing the exploration of phonetic differences between languages. Finally, we map back these transformations to the domain of sound recordings, enabling us to listen to the output of the statistical analysis. The approach proposed is demonstrated by using recordings of the words corresponding to the numbers from 1 to 10 as pronounced by speakers from five different Romance languages.

Exploring the Impact of Code Smells on Fine-Grained Structural Change-Proneness

Code smells are used to describe the bad structures in the source code, which could hinder software maintainability, understandability and changeability. Nowadays, scholars mainly focus on the impact of smell on textual change-proneness. However, in comparison to textual changes, structural changes could better reveal the change nature. In practice, not all code change types are equally important in terms of change risk severity levels, and software developers are more interested in particular changes relevant to their current tasks. Therefore, we investigate the relationship between smells and fine-grained structural change-proneness to solve these issues. Our experiment was conducted on 11 typical open source projects. We first employed Fishers exact test and Mann–Whitney test to explore whether smelly files (affected by at least one smell type) had higher structural change-proneness than other files, and whether files with more smell instances are more likely to undergo structural changes, respectively. Multivariate logistic regression model was built to study the relation between each kind of smell and change-proneness with respect to five change categories. Our results showed that: (1) in most cases, smelly files were more prone to structural changes and files with more smell instances tend to undergo higher structural changes; (2) quite a few smell types were related to structural change-proneness, particularly, Refused Parent Bequest (RPB), Message Chains (MCH), Divergent Change (DIVC), Feature Envy (FE) and Shotgun Surgery (SS) increased structural changes for some change categories. However, when controlling the file size Lines of Code (LOC), significant change-proneness of some smells disappeared or the magnitude of significance decreased more or less.

Concept drift detection on social network data using cross-recurrence quantification analysis.

This paper presents our efforts to detect Concept Drifts (changes in data generation processes), using the Cross-Recurrence Quantification Analysis, on time series produced by social network systems. Experiments were performed on the TSViz project (http://www.tsviz.com.br), which collects online tweets associated with predefined hashtags and processes them to generate different time series: one to measure the amount of information contained in textual short messages and another to quantify the positiveness and negativeness of users' sentiments, etc. In that context, this work proposed and evaluated a Concept Drift approach to point out when generating processes change along time, indicating the detection of relevant textual changes in terms of the amount of information and sentiments. As a main contribution, results show that our approach indicates when the most important social events happen, which were confirmed by official news.

Sexual Slander and Polygamy in Nauvoo

Research Article| July 01 2018 Sexual Slander and Polygamy in Nauvoo John S. Dinger John S. Dinger JOHN S. DINGER is a graduate of the S. J. Quinney College of Law, University of Utah, Salt Lake City, where he was an editor of the Utah Law Review. In addition to a juris doctorate, he holds degrees in political science and history from the University of Utah. He has published in the Journal of Mormon History, John Whitmer Historical Association Journal, Idaho Law Review, and Utah Law Review. His book, The Nauvoo High Council and City Council Minutes (Signature Books, 2011), won the Best Documentary Book Award from the Mormon History Association and the Best Book Award from the John Whitmer Historical Association. In 2013 he published Significant Textual Changes in the Book of Mormon: The First Printed Edition Compared to the Manuscripts and to the Subsequent Major LDS English Printed Editions (Smith-Pettit Foundation, 2013). He is presently a deputy prosecuting attorney for Ada County in Boise, Idaho, and a member of the Internet Crimes Against Children taskforce. Search for other works by this author on: This Site Google Journal of Mormon History (2018) 44 (3): 1–22. https://doi.org/10.5406/jmormhist.44.3.0001 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation John S. Dinger; Sexual Slander and Polygamy in Nauvoo. Journal of Mormon History 1 July 2018; 44 (3): 1–22. doi: https://doi.org/10.5406/jmormhist.44.3.0001 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressJournal of Mormon History Search Advanced Search The text of this article is only available as a PDF. Copyright 2018 by the Board of Trustees of the University of Illinois2018 Article PDF first page preview Close Modal Issue Section: ARTICLES You do not currently have access to this content.

«Я в детстве заболел…» Арсения Тарковского: интеграция поэтического текста в кинематографический

<p>Статья посвящена исследованию механизма трансформации поэтического текста при его включении в кинематографический на примере одной поэтической цитаты в кинотексте советского кинорежиссера Андрея Тарковского. Цель работы — рассмотреть особенности интеграции стихотворения Арсения Тарковского «Я в детстве заболел…» в кинотекст художественного фильма А. А. Тарковского «Ностальгия».</p><p>В статье рассмотрены основные виды трансформации исходного текста при его цитировании, определены факторы, влияющие на изменение первоначального смысла (место цитаты в структуре кинотекста, механические изменения текста, предтекстовая фоновая информация, способ включения цитаты в кинотекст, визуальное и звуковое сопровождение цитаты). Сцена из фильма «Ностальгия», включающая рассматриваемую цитату, проанализирована в статье с позиции указанных факторов трансформации текста, выявлены следующие параметры цитаты: эпизод с чтением стихотворения «Я в детстве заболел…» в «Ностальгии» является одним из наиболее идейно значимых в фильме, раскрывает образ поэта и вводит различные элементы концепта ОТЕЦ (биографические и культурологические); исходный текст значительно сокращен, присутствуют также отдельные изменения слов; на восприятие стихотворной цитаты оказывает влияние личность поэта (отца режиссера) и актера, исполняющего главную роль; цитата встраивается в текст по звуковому каналу путем небрежного, но мотивированного сюжетом чтения; визуальные образы сопровождения (дерево, вода, храм, огонь, книга) создают дополнительный смысловой уровень эпизода. </p>По итогам проведенного исследования можно сделать следующие выводы: переживания лирического героя стихотворения проецируются на героя фильма, соединяющего в себе образы и режиссера, и поэта, воплощающего одновременно архетипы и отца, и сына; сюжет стихотворения в фильме связан с пересечением границы между реальным и сверхреальным измерениями бытия и с предчувствием грядущей жертвенной смерти; а сам эпизод фильма актуализирует сакральные символы, типичные для творчества Андрея Тарковского. Таким образом, стихотворение Арсения Тарковского приобретает в фильме его сына совершенно новое прочтение.<em> </em>