350 Book Reviews TECHNOLOGY AND CULTURE Opera Muliebria: Women and Work in Medieval Europe. By David Herlihy. Philadelphia: Temple University Press, 1990. Pp. xiv + 210; illustra tions, tables, notes, bibliography, index. $29.95. David Herlihy’s Opera Muliebria: Women and Work in Medieval Europe is a small and focused study on the jobs undertaken by women throughout the whole of the Middle Ages and an examination of how and why this “women’s work” changed over the course of a thousand years. At the heart of Herlihy’s analysis is flax, silk, and especially wool, and the steps and skill with which this raw material was transformed into cloth. The author, through a careful examination of estate surveys, legal texts, and saints’ lives, uncovers a nearly forgotten institution, the gynaeceum, or textile workshop, which formed a significant institution in Western society from ancient times until the central Middle Ages. These workshops survived the period of the fall of Rome and appear to have been a standard feature of the most important estates controlled by great lay and ecclesiastical lords. The women who lived and labored within these shops were in charge of the entire process of cloth production. They carded and spun, and they wove, dyed, and embroidered the high-status material used for court garb, diplomatic gifts, ecclesiastical vestments, and altar cloths. Women’s central role in cloth production survived the urbanization and commercialization of the economy, which occurred in the central Middle Ages, and even continued after men began to enter into cloth-related trades. As Herlihy points out, however, during the course of the 12th, 13th, and 14th centuries, the cloth industry was reorganized. Each step in the manufacturing of cloth became special ized and was increasingly undertaken within a household or work shop controlled by an entrepreneur; each fell under the control of guilds that excluded women; and participation in much of this process took greater capital than most women could command. As a result, women lost “their traditional importance as cloth producers” (p. 185). Herlihy’s discussion of the evolution of women’s participation in cloth making is convincing. Less satisfactory, however, is the author’s depiction of these gynaecea as the locus of some “Golden Age” of the working woman. The workshops that Herlihy so carefully traces were primarily staffed by women who were born into slavery or had been enslaved because of their crimes, and it is quite clear that many of these servile cloth workers served as prostitutes as well as weavers. These places must have been terrible, and their depiction by Herlihy as a central institution is sobering. Similarly, the author bemoans the technological innovations revolving around windmills and water mills, because these improved technologies supplanted women from their central role in milling grain by hand (p. 54). One could as easily look at this change as a technological leap that improved women’s lives a TECHNOLOGY AND CULTURE Book Reviews 351 hundredfold. Herlihy’s equating of women’s monopoly of certainjobs as a good thing similarly leads him to discuss, quite happily, the close and special association of women with the preparation of baths, the nursing of the sick, and magical powers. The hauling and heating of water, however, was backbreaking work, the nursing of the sick was a dangerous and low-status undertaking, and accusations of magic were often fatal. After women were eliminated from cloth making and a number of other trades, they labored on nonetheless—within their own homes, within the households of others, in the fields, and in wealthy women’s nurseries. This class of labor, however, because it cannot be construed as “productive,” is not part of Herlihy’s analysis. To understand women’s work, however, it is vital to come to grips with their daily labors as well as their participation in more organized enterprises. Robin Fleming Dr. Fleming is an assistant professor at Boston College. She is the author of Kings and Lords in Conquest England (Cambridge, 1991) and is currently working on towns in Anglo-Saxon England. Medieval Artisans: An Urban Class in Late Medieval England. By Heather Swanson. Cambridge, Mass.: Basil Blackwell, 1989. Pp. xi+189; notes, bibliography, index. $39.95...