Facilitation is a key aspect of community music. While only two of the articles in International Journal of Community Music (IJCM) 17.2 have the word ‘facilitators’ explicitly in the title, all the articles in this issue speak, in their distinct ways, to facilitation/facilitators in community music. Most direct in this regard is the systematic review of research on group singing facilitators by J. Yoon Irons and associates. Other articles in this issue study the activities of the Ostend Street Orkestra in Belgium (Verneert et al.), the Pizzicato Effect in Hume, Australia (Smith et al.), Tàlaidhean Ùra – a Scottish implementation of The Lullaby Project (Tanner, Wilson and Wight), the theatre troupe Sex Worker’s Opera (Flower) and the DocSong method used at in an all-male minimum- and medium-security state prison in the United States (Kirchner). Taken together, the articles in issue 17.2 add to the growing research base on facilitation in community music settings.
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