Song Dynasty Research Articles

유학자의 덜어내는 마음공부 : 황덕길의 「일성도(日省圖)」의 교육적 의미

The purpose of this paper is to examine the meaning of “Ilseongdo(日省道)”, a diagramwritten by Hwang Deok-gil, a confucian scholar of the late Joseon Dynasty, to the present-day education. “Ilseongdo” was created for the purpose of educating students in the author’s later life. “Ilseongdo” was presented through the illustration of five sentences. It means to take out the unnecessary from the inner (thought), personal (learning, work), and relational (talk, relationship) aspects one’s in everyday life. And it deals with Gyeong(敬), which is the core principle of Confucian practice, as a practice of ‘reducing’ in daily life. Since the beginning of modern education, education, it has always placed importance solely ‘adding’ education. Thus, we have now come to think of only accumulating a lot of knowledge and achieving a lot of results through education. Current education has not been able to teach students the values of ‘emptying out’ and ‘resting’. Amid the numerous comparisons, conflicts, and competitions occurring in a hyper-connected society, education of ‘reducing’ suggested by Hwang Deok-gil in「Ilseongdo」comes to be meaningful. Before analyzing the contents of Ilsungdo, this paper examined the thought of Hwang Deok-gil on Gyeong(敬) It which follows the thought of Song Dynasty(宋)'s confucian and toe-gye(退溪) in Choseon Dynasty(朝 鮮), but is characterized by the fact that Gyeong(敬) is mainly discussed from a practical point of view. Hwang Deok-gil's Ilsungdo has originality that distinguishes it from previous scholars’s works in discussing Gyeong in daily life. It is a valid discussion in our daily life today, where the Confucian debate on the mind has disappeared.

Analysis of Mushroom Edible Problems in Song Dynasty

Mushroom is one of the common ingredients in the life of the Song people. There are many kinds of mushrooms in the Song Dynasty, and there are many places of origin. The people of the Song Dynasty had initially mastered the cultivation methods of mushrooms, but due to the limitations of the times, the acquisition of mushrooms was still based on collection. The people of the Song Dynasty had a variety of ways to eat mushrooms, and the consumption scene was quite extensive. Mushrooms are closely related to scholar-bureaucrat -officials. Scholar-bureaucrat -officials regard edible mushrooms as an important way to show that they are not associated with the secular world and are close to nature. At the same time, poetry related to mushrooms also occupies a place in Song poetry.

Metagenomic study of the microbiome and key geochemical potentials associated with architectural heritage sites: a case study of the Song Dynasty city wall in Shou County, China

Historical cultural heritage sites are valuable for all of mankind, as they reflect the material and spiritual wealth of by nations, countries, or specific groups during the development of human civilization. The types and functions of microorganisms that form biofilms on the surfaces of architectural heritage sites influence measures to preserve and protect these sites. These microorganisms contribute to the biocorrosion of architectural heritage structures through the cycling of chemical elements. The ancient city wall of Shou County is a famous architectural and cultural heritage site from China’s Song Dynasty, and the protection and study of this site have substantial historical and cultural significance. In this study, we used metagenomics to study the microbial diversity and taxonomic composition of the Song Dynasty city wall in Shou County, a tangible example of Chinese cultural heritage. The study covered three main topics: (1) examining the distribution of bacteria in the biofilm on the surfaces of the Song Dynasty city wall in Shou County; (2) predicting the influence of bacteria involved in the C, N, and S cycles on the corrosion of the city wall via functional gene analysis; and (3) discussing cultural heritage site protection measures for biocorrosion-related bacteria to investigate the impact of biocorrosion on the Song Dynasty city wall in Shou County, a tangible example of Chinese cultural heritage. The study revealed that (1) the biofilm bacteria mainly belonged to Proteobacteria, Actinobacteria, Cyanobacteria, Bacteroidetes, and Firmicutes, which accounted for more than 70% of the total bacteria in the biofilms. The proportion of fungi in the microbial community of the well-preserved city wall was greater than that in the damaged city wall. The proportion of archaea was low—less than 1%. (2) According to the Shannon diversity index, the well-preserved portion of the ancient city wall had the highest diversity of bacteria, fungi, and archaea, and bacterial diversity on the good city wall was greater than that on the corroded city wall. (3) Bray–Curtis distances revealed that the genomes of the two good city walls were similar and that the genomes of the corroded city wall portions were similar. Researchers also detected human intestine-related bacteria in four locations on the city walls, with the proportion of these bacteria in the microbial community being greater on good city walls than on bad city walls. (4) KEGG functional analysis revealed that the energy metabolism and inorganic ion transport activities of the bacterial community on the corroded city wall were greater than those of the good city wall. (5) In the carbon cycle, the absence of active glycolysis, the ED pathway, and the TCA cycle played significant roles in the collapse of the east city wall. (6) The nitrogen cycling processes involved ammonia oxidation and nitrite reduction to nitrate. (7) In the sulfur cycle, researchers discovered a crucial differential functional gene, SoxY, which facilitates the conversion of thiosulfate to sulfate. This study suggests that, in the future, biological approaches can be used to help cultural heritage site protectors achieve targeted and precise protection of cultural relics through the use of microbial growth inhibition technology. The results of this study serve as a guide for the protection of cultural heritage sites in other parts of China and provide a useful supplement to research on the protection of world cultural heritage or architectural heritage sites.

Research on the Academic Inheritance of the Traditional Performance of Hilgasan Khuur

Shen Kuo, a scholar in the Northern Song Dynasty, wrote in Mengxi Bi Tan: "The Hilgasan Khuur follows the Han Dynasty, and the music still complains about the Chanyu." This is the earliest record of the term Hilgasan Khuur in history books. Hilgasan Khuur refers to bowed string instruments made of Hilgasan and carried by northern nomadic peoples. It originated from the Xiongnu and has been passed down to this day. The traditional Mongolian bowed string instruments such as the Morin Khuur, Khorchin Choor, Chahar Hiil, and OirdsYekel all belong to this category. As a bowed string instrument that has been passed down for thousands of years and carries a profound historical and cultural heritage, the inheritance and protection of the traditional playing method of the Hilgasan Khuur faces the impact and challenges of the development of modern music. This article summarizes the artistic characteristics of the four tuning methods, four playing methods and related traditional repertoires of the four instruments of the Hilgasan Khuur. By analyzing the history and current situation of the academic inheritance of the Hilgasan Khuur, it reveals the advantages and challenges of the academic inheritance. It emphasizes that under the background of national policies and the protection of intangible cultural heritage, promoting the academic inheritance of the traditional playing method of the Hilgasan Khuur has far-reaching significance for protecting the musical diversity of the Hilgasan Khuur and promoting national traditional culture.

Interpretation of Buddhist Scriptures from the Perspective of Sinicization of Buddhism

The interpretation of Buddhist scriptures from the perspective of Sinicization of Buddhism has undergone a long and fruitful development process. From the initial period of Buddhist transmission with grid-meaning translation, to the elaboration of Buddhist doctrines during the Wei, Jin, Northern, and Southern Dynasties, to the doctrinal taxonomy in the Sui and Tang dynasties, and then to the interpretation of mind and nature during the Song and Ming dynasties, up to the modern trend of humanistic Buddhism, the interpretation of Buddhist scriptures has always interacted with the spirit of Chinese native culture, presenting a unique landscape of integration and innovation. The Sinicized interpretation of Buddhist scriptures not only demonstrates cultural confidence but also provides wisdom and inspiration for modern society. In the future, cross-cultural dialogue with the world, interdisciplinary integration and development, digital humanities research, and innovative communication methods will become new directions and challenges for the Sinicized interpretation of Buddhist scriptures.

Spatial and Temporal Evolution and Conservation Significance of Traditional Villages in the Yangtze River Basin, China

Traditionally, “ancient villages” are communities that date back to a previous era, possess abundant traditional resources, and hold significant historical, social, cultural, ecological, and economic significance. This study examines the geographical and chronological development of 2957 traditional communities in the Yangtze River Basin and extensively employs GIS spatial analysis, geostatistical analysis, and historical literature review to study the evolution of the locations of traditional settlements under various factors. The study’s findings revealed that: (1) From a geographical standpoint, the traditional villages in the study area present a distribution state of “two cores, small aggregation, and many dispersions”. The two core clusters are located at the intersection of Hunan, Guizhou, and Chongqing provinces, where the natural geographical advantages attracted people from different dynasties to settle here. (2) From a temporal perspective, the quantity of traditional villages shows a growing trend, and the distribution center of each dynasty shows an east–west direction. Among them, the shift from the Song to the Yuan dynasties marked the period of greatest change in village distribution, which originated from the Song Dynasty’s quick economic growth. In addition, the village distribution was clustered in the eastern part of the country, adapting to the needs of commercial trade. When the Song Dynasty fell, the society was in turmoil, and the villages were transferred to the central region to avoid the war. The Yuan Dynasty also laid down the fundamental distribution pattern of conventional villages. (3) From the standpoint of choosing a village location, most of them are distributed in mountainous, hilly, and plain regions; the gentle slopes of 0°~15° are favored by people. Sufficient water sources, abundant precipitation, and a suitable climate are also necessary choices. (4) From the perspective of driving factors, traditional village distribution in the basin is impacted by historical, cultural, social, and ecological factors. Included among these, traditional village distribution is inversely connected with socio-economic variables. Under the interaction of two factors, the distribution will be more affected. To summarize, the complex human geographic factors together create the conventional village dispersal pattern, and examining these elements holds substantial practical importance for comprehending, safeguarding, and preserving traditional villages.

Historical Geographical Information System (HGIS): social trajectories of two Chinese historical figures Su Shi and Zuo Zongtang in spatial context

Historical figures have important significance worldwide. This paper introduces the concept of historical Geographical Information System (HGIS) using the lives of two personalities from Chinese history as case studies: Su Shi, a literary figure of the Northern Song Dynasty, and Zuo Zongtang, a military strategist from the late Qing era. By studying the geographical points marking their life activities, their migratory patterns were explored, along with the dynamics of their social networks within time and space, examining the distinctive phases and characteristics of their individual journeys. Kernel density estimation, standard deviation ellipse, location-based distance analysis, and social network graphs were employed in this work. Our findings reveal that Su Shi’s migrations were largely dictated by official appointments, ultimately rooted in imperial successions and factional strife, with his intellectual pursuits significantly influenced by the humanistic milieu. Conversely, Zuo Zongtang’s migrations were predominantly shaped by war, reflecting the challenges of the late Qing era in relation to governance, sovereignty, and diplomacy. The military encampments selected by Zuo Zongtang tended to be situated near water sources, illustrating how his migratory trajectory was influenced by natural geographic conditions. The social circles of these figures are tied to their social and political stature. Through the socio-historic context, the characteristics of these historical figures’ behavioral trajectories relate to the unfolding process of societal and historical development. These insights offer a glimpse into the life journey behind historical figures, implicitly highlighting their perseverance and resilience in adversity, thereby describing innovative approaches to inheriting and disseminating the cultural legacy.

A Historical Survey of Fayun Monastery (法雲寺) in Bianjing (汴京) during the Northern Song Dynasty

Fayun Monastery (法雲寺), a prominent Chan Buddhist monastery in Bianjing (汴京) during the Northern Song Dynasty, thrived for about half a century under the reigns of emperors Shenzong (神宗), Zhezong (哲宗), and Huizong (徽宗). Led by four generations of abbots—Yuantong Faxiu (圓通法秀), Datong Shanben (大通善本), Foguo Weibai (佛國惟白), and Fozhao Gao (佛照杲)—the monastery was esteemed by the royal family and influential in the development of the Yunmen School. This paper examines the monastery’s history through the tenures of its abbots, providing insights into the monastery’s significance in Northern Song Buddhism and its broader cultural and political context.

A NEW PERSPECTIVE ON CHINESE RED GLAZE

Glazes obtained by the reduction method, also called Chinese red or copper red in the literature, were first seen on porcelains of the Tang Dynasty (618-907) and Northern Song Dynasty (960-1126) periods in China. These glazes, which require a very difficult process to produce, are obtained by reducing the copper compounds in the recipe in the kiln. From its historical process to the present day, the surface of Chinese red glazes has been desired to be shiny and smooth, and their production has been carried out according to this principle. Within the scope of this study, a new artistic perspective was wanted to be brought to Chinese red glazes and instead of a smooth surface appearance, a pin hole image, known as a glaze defect, was desired. For this purpose, silicon carbide (SiC) was used to achieve the desired effect. Under normal conditions, the reduction process is carried out when the kiln cools down after neutral firing. However, a different perspective was tried to be provided by developing an alternative firing method to the traditional Chinese red glazes obtained by reduction. In order to contribute to the language of discourse in art ceramics, a new proposal is presented with the interpretation of Chinese red glazes.

The elemental variance between the "rice" and "non-rice" portions of Maifanitum and its health risk assessment

BackgroundMaifanitum, a mineral used in Chinese medicine, was first documented during the Song Dynasty (960-1279). Historical records suggest its multifaceted therapeutic properties, including detoxification and stasis resolution, necrosis removal and tissue regeneration, diuretic and calculi dissolution and prolonging life. The concentration of elements in Maifanitum may vary depending on its origin, different parts, which can affect its effectiveness in different fields of applications. Therefore, the analysis of elements in Maifanitum and the subsequent health risk assessment have been conducted. This provides an important basis for the quality control and application safety of Maifanitum. MethodThe analytical techniques employed in this study are inductively coupled plasma mass spectrometry (ICP-MS) and inductively coupled plasma optical emission spectrometry (ICP-OES), utilized for the quantitative assessment of 60 elements (Refer to Appendix 1) within Maifanitum samples. Based on the test results, chemometric methods are employed to evaluate the characteristics and differences in elemental concentration from different sources and locations. Additionally, a preliminary health risk assessment is conducted for Maifanitum from different origins and various parts. ResultsWe have established a fingerprint of the elements within Maifanitum, demonstrating a commendable level of similarity. The findings from hierarchical cluster analysis（HCA） corroborated with those from principal component analysis (PCA), collectively unveiling a systematic profile of elemental disparities between Maifanitum samples of diverse origins and applications. It also revealed that there are differences in the concentration of Al, Ga, Be, Hf, Na, Sn, Ti, Zr, Gd, Tb, Sr, Pb, Ce, Ba and other elements in different parts of Maifanitum. While Cd, As, and Cu levels in all samples were within the permissible limits as defined by the Chinese Pharmacopeia, Pb concentrations in the majority of samples were found to surpass these standards, albeit slightly in the ''non-rice'' fraction. The assessment of both beneficial and deleterious elements indicates that the ''non-rice'' fraction of Maifanitum possesses superior quality attributes. Moreover, the overall concentration of rare earth elements in Maifanitum is substantially below the established lower threshold for daily human consumption, with no immediate evidence suggesting any adverse health risks. ConclusionThis study provides a basis for the quality control and safety evaluation of Maifanitum in clinical use.

Cheung Hiu Yu, Empowered by Ancestors: Controversy over the Imperial Temple in Song China (960–1279)

Cheung Hiu Yu, <i>Empowered by Ancestors: Controversy over the Imperial Temple in Song China (960–1279)</i>

Diffusion of the Interrogative Pronoun Sha '啥' From Mandarin to Wu: A View of Dialect Contact / 从方言接触看疑问代词“啥”从官话到吴语的扩散

This article focuses on the source of the interrogative pronoun sha ‘啥’ in Wu dialects, which is a case study of Wu dialects’ historical syntax. It is generally believed that sha ‘啥’ of Wu dialects comes from the fusing of shenme ‘什么’, but this solution has the following problems: Wu dialects have voiced initials, so sha ‘啥’ which is voiceless initial cann’t come from shenme ‘什么’. The article first discusses the geographical distribution and function differences of sha ‘啥’ in Wu dialect, and then reconstructs its early phonetic form. We hypothesize that the fusing of shenme ‘什么’ were considered in the Bianluo area of the Song Dynasty, and then sha ‘啥’ was brought into Wu dialects via the Song southern migration.

『大觀茶論』 ‘序’에 나타난 徽宗의 茶文化觀

『DaeGwan Tea Theory』 consists of one chapter of the ‘Introduction’ and 20 chapters of the ‘Main Text’, and is a representative tea book of the Northern Song Dynasty that shows comprehensive tea affairs on Huizong’s intuitive and practical ‘DaeGwan Tea Theory’. Huizong’s tea ceremony was both useful and popular, and “During the Song Dynasty, tea ceremony was popular from the court to the common people, and with the popular response.” Huizong’s unexpected ascension to the throne was certainly a special event for the Song court and Huizong Zhaoji. A young, multi-talented royal family member recorded all the tea ceremony of the tea ceremony with his ignorance of governance and his genius and artistic talent as a literati. His tea ceremony was specific and detailed, and he fully revealed his political intentions toward the people in the preface of the 『DaeGwan Tea Theory』. In this paper, we understand the political background of the late Northern Song Dynasty and the life of Emperor Huizong, and study the social bonds that the multiculturalism of the Northern Song Dynasty has had on the globalization of tea ceremony in the present era

An Analysis of the Musicality of Yong Liu’s Yulinling: Farewell in Autumn Based on the Perspective of Language Musicology

From the perspective of linguistic musicology, this paper discusses the musical features of Yulinling: Farewell in Autumn, a representative work of Yong Liu, a famous lyricist of the Song Dynasty. Through a systematic analysis of the core elements of the poem, such as rhyme, timbre, key, and rhythm, it reveals the intrinsic connection between poetry and music and proposes a new way of thinking about the modern interpretation of ancient poetic songs. This paper not only enriches the understanding of Yong Liu’s works but also provides new theoretical support for modern music education of classical poetry. In addition, this paper explores the practical application value of poetic musicality analysis in cultural inheritance and modern adaptation of classical poems, providing new insights into the contemporary inheritance of cultural heritage.

조선 후기 &lt;해도(蟹圖)&gt; 연구 - 조선시대 게 그림

Crab paintings referred to as Haedo(蟹圖) were mainly drawn with auspicious meanings such as congratulations on passing the state examination. Its origins date back to the Five Dynasties and Northern Song periods in China, and Haedo became popular during the Ming Dynasty when Wu or Wumen School, including Shen Zhou and Xu Wei, started drawing them in the style of literary painting. Literary style Haedo refers to a crab painting with poetic sentiment produced by an ink-and- wash/boneless brush technique for the light-and-shade effect; it greatly influenced East Asian Haedo from the Qing Dynasty of China to modern times and even to Joseon. Exactly when Haedo was first introduced into Korea is unknown, but it is thought that crabs were drawn along with various fish icons at the latest during the Goryeo Dynasty. However, Haedo was drawn in earnest after the introduction of the literary style Haedo during the Ming Dynasty, and painters representing the late Joseon Dynasty, such as Kim In-gwan, Shim Sa-jeong, Choi Buk, and Kim Hong-do, enjoyed drawing them. In particular, Kim Hong-do left behind many works with strong pictorial qualities by adding original elements under the influence of Xu Wei, which greatly influenced the paintings of later painters. Popular throughout the late Joseon Dynasty, the literary style Haedo expanded as far as folk paintings, and the tradition was passed down from the late Joseon Dynasty to modern times. Meanwhile, apart from how the literary style Haedo was developed, a new style of realistically depicting the subject with fine brushes, intertwined with various social and cultural backgrounds, was attempted by Jang Han-jong, a painter at the Dohwaseo (court painting institution), in the 19th century. Jang Han-jong accurately captured the appearance and ecology of each fish species with a hyper-realistic painting style based on detailed sketches that were even reminiscent of a collection of illustrations, and he also created fish and crab paintings in the form of folding screens, which inspired later painters.

Spatial distribution characteristics of Tibetan Buddhism principal-subordinate monastery systems in the Hehuang region

Tibetan Buddhist monasteries constitute significant cultural heritages of ethnic minorities, evolving into the Principal-Subordinate Monastery System (PSMS) with profound historical and cultural significance. This system exhibits an integrated hierarchical structure in terms of religious dominance, political administration, and cultural diffusion. Existing research primarily focuses on internal humanistic factors such as governance patterns, while there is not any research focused on its patterns and manifestations in spatial distribution. This study aims to elucidate the spatial distribution characteristics of the PSMS in Hehuang region, including the Tibetan Buddhist monasteries from all sects in the Hehuang region since the Song Dynasty It establishes a hierarchical PSMS database based on the affiliation relationships, aimed at storing spatial and property information related to PSMS. The database standardizes the naming and coding of monasteries, and classifies them through hierarchical relationships to ensure data consistency and usability. Finally, the classified and coded monastery data were analyzed by GIS tools to form the PSMS spatial distribution characterisation framework. Results reveal that (1) Monasteries demonstrate notable spatial clustering patterns from both holistic and sectarian perspectives, with density being influenced by the principal monastery’s position. (2) Almost every PSMS exhibits a spatial pattern centered around the principal monastery, with subordinate monasteries clustering within a defined range correlated with the administrative region of the principal monastery. (3) PSMS scale variations are controlled by principal monasteries, exhibiting positive correlations in hierarchical structure, control quantity, and distribution range. (4) The spatial orientation of PSMS correlates with river distribution, while the relationships among mountain ranges require further investigation. These findings provide initial insights into the spatial distribution characteristics of PSMS, confirming the spatial influence of the principal monastery. Besides, this study established an innovative spatial research framework for heritage clusters with multiple types and hierarchies. Thus, this study offers new insights into the spatial distribution of Tibetan Buddhist monastery heritage and presents a framework for further examining the spatial distribution of the Tibetan Buddhist monastery heritage in other regions, as well as other heritage clusters where connected and clustered through religious and cultural ties.

Research on the Correlation Between Folk Beliefs and Temple Architectural Space: Case Study of Renwei Temple in Canton

Renwei Temple is the earliest recorded temple architecture established in the Cantonese region of the Song Dynasty to worship the Northern Monarch, one of the Taoist divinities. It is famous for its traditional folk culture activities such as the Northern Monarch's Birthday celebration. Renwei Temple showcases a paradigm of Cantonese folk temple architecture. It embodies the Chinese civilization's Taoist culture, philosophical thoughts and traditional activities, demonstrating the charm of architectural art in the Lingnan region. Through field investigation, interview and literature research, this paper conducts a case study of Renwei Temple in Canton, to reveal the internal relationship among religion, Confucian belief and architectural space of the Cantonese Temple, and to further explore the influence of the order of the relationship between God and Human, etiquette thought and social integration on architectural spatial characteristics in material aspect. It would help inspiring the restoration, renovation, innovation and inheritance of temple Architectures, or even the construction of public buildings in Cantonese region

The Impact of Land Belief in the Song Dynasty: Spiritual Control, Modes of Sacrifice, and Reinforcement of Grassroots Governance

In primitive society, individuals were constrained by low productivity and could only beseech the earth for abundant yields. As a fundamental element of human existence, land naturally garnered reverence; however, natural disasters were often perceived as manifestations of the land god's retribution against humanity. Consequently, traditional China developed two distinct beliefs regarding land: one perceives the land god as a benevolent deity who fosters growth and is honored through various positive sacrificial ceremonies; the other views the land god as a stern figure who metes out punishment to those who transgress. The evolution of land belief during the Song Dynasty significantly contributed to controlling the spirit of lower strata and reinforcing grassroots governance while also influencing sacrificial practices to some extent.

Nomadic and Settled Worlds: The Mutual Diffusion of Economic Institutions on the Example of the Xi Xia, Liao and Song Empires

There is a commonplace in the historical scholarship that nomadic peoples, adopting a settled way of life, borrow from the agrarian sedentary population their methods of economy managing and state administration. Chinese historical tradition tells that the nomadic periphery fell under Chinese influence and adopted from the Han people both their political and economic institutions. However, sources let us know that the situation is not so simple. There are periods of reverse influence of the nomadic world on agrarian China. In the pre-Mongolian period, the Chinese empire was at the same time at the peak of its development, stood on the threshold of the industrial revolution, but was also heavily dependent on its neighbors, being forced to pay tribute to them. Practices of regular close interaction led to diffusion, that is, the mutual borrowing of various management methods. Using the example of the Chinese Song Empire and its neighbors of the Western Xia and Liao empires, the article shows that borrowings did not always go exclusively from the Han to nomads, but, on the contrary, there was a mutual penetration of both economic and political institutions in the sphere of finance and taxation.

Degradation of a Sauce-Glazed Ware from the Song Dynasty Salvaged Out of Water at the Dalian Island Wharf: Part II—The Effect of Surface-Attached Marine Organism Remains

Dalian Island, located in the northwest of Pingtan County, Fujian Province, China, has been an important junction on the Maritime Silk Road since the Tang dynasty. This study focuses on sauce-glazed ceramic ware from the Song dynasty salvaged from the waters near Dalian Island Wharf. The composition, phase attributes, and microstructures of the marine organism remains attached to the ceramic ware were analyzed using an optical microscope, scanning electron microscope, and micro-Raman spectrometer to investigate the influence of marine organisms on the degradation of the ceramic ware. Long-term abrasion by sea wave-borne debris led to the increased surface roughness and wettability of the ceramic ware, facilitating the attachment of marine organisms. Differences in surface roughness between the inner and outer walls led to varying levels of biomass. Coralline algae secreted inducers to attract the larvae of macrofoulers. The attachment of different types of marine organisms had varying effects on the degradation of the ceramic ware. Firmly attached unitary organisms could alleviate the scouring of sea wave-borne debris and hinder the intrusion of foreign pollutants, thereby playing a ‘bio-protective’ role. In contrast, the group skeletons of modular organisms could reinforce the mechanically damaged surface but failed to block the intrusion of iron rust and other pollutants, resulting in chemical alterations of the glaze. Therefore, the specific species of the attached marine organisms should be considered in subsequent conservation efforts.