In a January 1992 interview with Douglas Kennedy of the Sunday Telegraph, Trevor Griffiths lamented the current state of British political theater: "The social function of theater is dead — someone should call the priest and say last rites over the British theater," He has not been alone in his anger and concern. In a May 1988 symposium on the state of the theater in Thatcher's Britain, John McGrath observed, "The number of new plays being done now is a third of what it was ten years ago. There's a real chance that within the next five years they will disappear completely." This symposium was followed (in December 1988) by a conference of British theater professionals and academics entitled "Theater in Crisis." The 1980s were clearly a decade of attrition for the British theater, particularly on the Left, and the early years of the 1990s have offered little change in the underlying policies and trends that brought about this attrition. Yet Griffiths's career in the early nineties — like those of Howard Brenton, Caryl Churchill, David Hare, and others in the theater — suggests that British social and political theater is still alive, if diminished from its flourishing in the sixties and seventies.