The Global South was popularised during the 1970s in recognition of the greater economic and political power of the ‘Third World’ and as a reaction to pejorative expressions. Nevertheless, as a terminology it is formed within the colonial/modern world-system imagery and manifests multiple subaltern subjectivities and different articulations of power and resistances. In this chapter, we use the practice of talanoa as a decolonizing community arts-based methodology which is an integral part of Pacific dialogic engagement to re-narrate histories and experiences of oppression as we draw on the colonizing experiences of (hetero) gender and Whiteness shaped how these coloured our agencies. In this paper we put to work the practice and potential of talanoa as a heterodox decolonizing methodology that challenges the orthodoxies of the Global North who habitually rewards normative methodological processes. This paper located in part in the 1970s considers questions of how positionality, power and relationships are experienced and re-negotiated through the talanoa and also explores the relationship between voice and participation. Our experiences of participation articulated in this chapter take the form of narratives with an intent to interrupt, subvert and counter the orthodoxic use of analytical tools and theoretical frameworks habitually deployed and modelled across the academy in the Global North. We consider the power the talanoa has for re-negotiating cultural differences and histories situating affective intensities to guide, dis/connect, excite, divert, inspire, distract, startle, surprise, and re-orient thinking to move history into the present, and the future.