MLR, I03.4, 2oo8 Io87 Constructing Nations, ReconstructingMyth: Essays inHonour of T A. Shippey. Ed. by ANDREW WAWN with GRAHAM JOHNSON and JOHN WALTER. (Making the Middle Ages, 9) Sydney and Turnhout: Centre for Medieval Studies, University of Sydney in association with Brepols. 2007. xviii+383pp. ?70. ISBN 978-2 503-52393-4. Edited byTom Shippey's formercolleague at theUniversity ofLeeds, with help from twoex-graduate students, and containing contributions from friends,colleagues, and associates rooted in differentdisciplines and based in theUS and Europe, this sub stantial collection of essays addresses some key themes in its honorand's research career: the influence of theGrimm brothers' philological revolution on nineteenth century nationalism, thehistory of philology itselfinto the twentieth century, and the creation and interpretation ofmyth. Organized in three sections: nationalism, philo logy,and myth, along theway thevolume touches on Shippey's interests inTolkien, in reception history, and inOld English and Old Norse literature. Itwill thus appeal differently to readers engaged in aspects of themany and various disciplines which thehonorand has made his own. Five essays deal with nations and nationalism, covering subjects as various as James 'Ossian' Macpherson's attempt to rewrite the earliest Scottish literary tradition as es sentially an epic of theHighlands, an article by Stefan Thomas Hall; the contest forownership ofOld Norse language andmythological heritage between eighteenth and nineteenth-century German and Danish scholars, bringing new complications to the Schleswig-Holstein question, byMartin Arnold; the folkbelief that the Jutland dialect and English are markedly similar, a slighter piece by Hans Frede Nielsen; and the paratext of nineteenth- and twentieth-century editions and translations of Beowulf, drawing out the various claims made by British and American scholars as theyassimilated the ideas ofEnglishness, Northernness, and Teutonicness which the poem embodied for them.This article by JohnHill draws together in a leisurelyway a series of fascinating apercus. Keith Battarbee shows how, inspired by Grimmian philology, Finnish, a peasant vernacular at the startof thenineteenth century,became a literary language. largely thanks toElias L6nnrot. L6nnrot's scrupulous creation of thenational epic in theKalevala results in awork which functions as a touchstone of reliable Finnishness; key concepts from the poem come to be employed to name insurance companies. The section on philology deals with just as various a series of topics. Terry Gun nell brings clarity to thecontinuing debate about thenature of elves in Icelandic, and how far they match the idea ofElvishness created by Tolkien. Articles on the textual criticism of Frederick Klaeber's Beowulf, fromRobert Fulk who is revising the still magisterial edition, and Andrew Breeze's account of the critical history of the Four Branches of the Mabinogi, crammed with useful bibliography, follow.Rory McTurk, another Leeds colleague, supplies a vigorous textof Samuel Ferguson's nineteenth century Irish version ofRagnar Lothbrok's Death-Song (Krikumal). The first line of every stanza is the rousing 'We have foughtwith our swords-hurrah!', a spi rited gesture towards the alliteration of theOld Norse 'Hjoggum ver me6 hjorvi'. In the following articles Keith Busby considers J.B. B. Roquefort, a correspondent of theGrimms, who did much in French philology, despite being an 'unscrupulous philanderer, womanizer, drunkard and general debauchee' (p. I93), while the editor contributes a sprightly account of Sabine Baring-Gould's forays intoNorse, under the influence of British Grimmians; a recently discovered cache of Baring-Gould's unpublished translations fromNorse runs to half amillion words, casting new light on thepopularity of saga material in theprovincial parishes ofVictorian Britain, far from the great universities. Jonathan Evans, in an elegant yet densely argued essay, rounds off this section by considering words, things, and truth;Tolkien's primary io88 Reviews image of theTree of Tales, thewisdom of Treebeard theEnt inLord of theRings, theOld English pun on treo (tree) and treow (truth, faith) towhich Shippey calls attention inPoems ofWisdom and Learning inOld English (Cambridge: Brewer, 1976), the tree-diagrams of the philological stemma and the close interconnection between narrative invention and linguistic imagination. In the final section Peter Orton analyses theNorse myth of themead of poetry, a storywhich took 'pride of place' inDeutsche Mythologie (p. 277). Orton demonstrates how blending theory, a development of cognitive metaphor theorymuch in vogue inmythological study in Scandinavia, can illuminate the central...