198 Reviews imperii and translatio studii, its connection with the centralizing tendencies of the Valois monarchy and with the Plei'ade's anxious overtures to Henri II. This new edition, moreover, is supplemented by dossiers critiques which include the major contributions to the literary quarrel surrounding the manifesto, not just Aneau's Quintilhoratian, but also the offeringsof Sebillet and Guillaume Des Autelz, together with Du Bellay's own preface to the second edition of the Olive. The whole of Speroni's Dialogo delle lingue is also included, together with Gruget's French translation, allowing the reader to see how Du Bellay adapted his most important contemporary source (although a better balance might have been achieved by a more selective presentation of just those parts of the Dialogo which Du Bellay imitated). Monferran's edition undoubtedly provides us with the most up-to-date and complete version of Du Bellay's seminal work, in all its richness and complexity. University of Aberdeen David Hartley Savoir et economie dans I'oeuvre de Moliere. By Richard Sorman. (Acta Universitatis Upsaliensis, Studia Romanica Upsaliensia, 62) Uppsala: Uppsala University Library. 2001. 196 pp. ISBN 91-554-4978-6. Richard Sorman's learned volume studies the psychology of Moliere's characters from a structuralist perspective. He argues that they feel they lack 'completeness' (completude) and attempt to rectifythis by seeking a form of absolute knowledge. The search is inevitably fruitless. Argan and Jourdain believe blindly in the reality of such knowledge and base their lives on this belief to the extent of jeopardizing their freedom and sanity. Agnes symbolizes for Arnolphe the illusory possibility of knowing everything about her. Alceste and Philaminte feel that they have actually achieved perfect 'completeness' and Don Juan allegedly triumphs in provoking the intervention of an entity representing ultimate knowledge. What these egocentric characters lack, argues Sorman, is an appreciation that society depends on reciprocating mechanisms (economies) such as generosity, commitment, honouring debts, and awareness of the qualities of others. This study, accessibly presented, contains stimulating analyses of the characters' tendency to shun uncertainty, their claims to be unique, the relationship between bluestocking and pere-obstacle, the hopelessness of striving consciously to acquire refinement , and the ambiguous nature of expertise. The author announces the structuralist perspective at the start and repeatedly stresses that this is a 'reading' of Moliere, rather than an analysis of how the plays work in the theatre. So he cannot be accused of misleading the reader over his approach. But one sometimes feels that the plays are adapted to fitthe theory, rather than the reverse. If Jourdain's pathetic respect forexperts tells us much about his social inferiority,Argan's relationship with doctors owes much to the tradition ofthe comic pedant, which Sorman barely mentions. Moreover, the author's claim that Hous les savants sont pour Moliere des imposteurs' (p. 37, em? phasis added) is simply not true. Many of his doctors are comic precisely because they genuinely believe in the efficacyof their art, and the tutors hired by Jourdain all seem competent in their field. Also, the idea of Don Juan triumphing by provoking the intervention ofthe 'savoir absolu' ('Dom Juan reussit la ou tous les autres echouent' (p. 116)) seems particularly odd: the intervention of the Statue self-evidently brings about the defeat of Don Juan and is anyway an indispensable part of the myth, not something invented by Moliere. In addition, the work contains, forthis reader at least, too many references to authorities such as Rey-Flaud, Lacan, and Levi-Strauss, many of which lead into rambling philosophical digressions telling us more about Sorman's intellectual interests than about Moliere. A thought-provoking work based on an MLRy 98.1, 2003 199 impressive array of erudition, but likely to be of more interest to the specialist in psychoanalytical and structural criticism than to the general student of Moliere. University of Leeds David Shaw Pour une histoire critique de la philosophie: choix d'articles philosophiques du 'Dictionnaire historique et critique'. By Pierre Bayle. Ed. by Jean-Michel Gros with the collaboration of Jacques Chomarat. (Vie des Huguenots, ed. by Antony McKenna, 16) Paris: Champion. 2001. 824 pp. 160 SwF; 760 F; ?115.86. ISBN 2...