124BOOK REVIEWS The ominous undulations of Kim Chi-wön's mysterious "Lullaby" can be contrasted to her insightful character study "A Certain Beginning." While a darkness of physical detail and a suggestion of morbidity run through all three stories by O Chöng-hüi included in this volume, each conjures up its own unique world, shaped by the experiences of very different characters. Other translators of course will want to question some of the Fultons' word choices or solutions to textual problems. Be that as it may, what is notable is that the Fultons do more than get individual words and ideas over into English: they manage to produce literature. While they polish and emend until the language sounds natural, they also keep an eye on the aura and affective impact of the work as a whole. The nature of Korean literature itself has been changing over the last decade and this new generation of writers is now producing a new literature of international value that deserves sensitive, intelligent, and literary translation. The fiction of Kang Sök-kyöng, Kim Ch-wön, and O Chöng-hüi represents such a new literature and the translations of Bruce and Ju-Chan Fulton represent the kind of English treatment it deserves. Marshall R. Pihl University of Hawaii Bands, Songs and Shamanistic Rituals: Folk Music in Korean Society , by Keith Howard. Seoul: Korea Branch of the Royal Asiatic Society, 1989. 295 pp. Plates, musical examples. Years ago I was invited by a leading Seoul newspaper to describe my impressions of Korea. I wrote a piece in which I recounted the strong feeling of association with the spirits I had experienced, when alone as shadows lengthened in the remembering courtyards of the Kyöngbok Palace, while resting in secluded shade by the grassy tomb of King Söng-dök in Kyôngju, and by empathetic involvement in emotional scenes at a shaman ceremony in the stony hills outside Seoul. The article was never used and the promised check never arrived, and I have since comforted (deluded?) myself that this was because I had spoken too openly of matters which Koreans did not care to admit to outsiders at that time, especially the continued force of shamanism in a modernizing country. The climate of tolerance has since changed, and although at the time of the research that led to this work (1982-1984), Keith Howard still found Chindo people on the defensive about their association with practices and practitioners traditionally despised— however essential to survival—the study of native Korean religion by generally sympathetic Western social anthropologists has begun to flatter those who once complained of their patronizing attitude. The government in particular recognizes that in the folk arts associated with popular religion it has an authentic source of entertainment and financial income. Shamanism is now admitted to be alive and well and living in Korea (South), but with official, foreign, and impressive interest focused upon it, how much longer can it survive in its ancient forms? BOOK REVIEWS125 Keith Howard is a social anthropologist with a special love of Korean folk music and a strong desire for its appreciation and protection. The purpose of his study was to investigate and record it in the Chindo region while it still retained its peculiar characteristics, and before it became standardized from Seoul as part of the national cultural heritage. Living in their midst for sixteen months, he earned the respect of the Chindo people, who not only rewarded him with their musical skills but just as valuably with their most private views and reminiscences . He has painted them all, with sympathy and understanding, in a picture which like a p'yongsaengdo tableau on a temple wall displays the religious, social, historical, and musical elements that are all essential to the makeup of a traditional Korean community. Closely involved though he became in Korean life and ways, he nevertheless has been able to step back and see it from all angles, and to avoid the commitment to partial viewpoints that weaken the scholarship of many Koreans themselves. The result is a book that I found hard to put down, full of...
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