Stereo Contrast Research Articles

Stereoscopic visual saliency prediction based on stereo contrast and stereo focus

In this paper, we exploit two characteristics of stereoscopic vision: the pop-out effect and the comfort zone. We propose a visual saliency prediction model for stereoscopic images based on stereo contrast and stereo focus models. The stereo contrast model measures stereo saliency based on the color/depth contrast and the pop-out effect. The stereo focus model describes the degree of focus based on monocular focus and the comfort zone. After obtaining the values of the stereo contrast and stereo focus models in parallel, an enhancement based on clustering is performed on both values. We then apply a multi-scale fusion to form the respective maps of the two models. Last, we use a Bayesian integration scheme to integrate the two maps (the stereo contrast and stereo focus maps) into the stereo saliency map. Experimental results on two eye-tracking databases show that our proposed method outperforms the state-of-the-art saliency models.

54.2: Invited Paper: High Efficiency Polarization Preserving Cinema Projection Screens

AbstractConventional polarization preserving cinema projection screens suffer from a number of issues that limit their optical performance. We describe the microscopic structure of these screens and how the different aspects of this structure interact to produce the primary screen properties of gain, viewing angle, stereo contrast, and appearance. We then present an engineered polarization‐preserving projection screen that addresses the limitations associated with conventional silver screens. This screen achieves substantially increased efficiency (brightness), increased stereo contrast, arbitrarily large viewing angle, and matte appearance.

54.1: Achieving High Stereo‐Contrast‐Ratio in Polarization‐Based 3D Front Projection

AbstractAchieving low cross‐talk in polarization‐based 3D cinema is challenging. Factors include screen characteristics, quality of encoding/decoding hardware (and their relationship), geometry, and the associated angle dependence of all elements of the system. We describe technologies and system level considerations that are essential to achieving high Stereo Contrast Ratio (SCR).

Surface separation decreases stereoscopic slant but a monocular aperture increases it.

When an isolated surface is stereoscopically slanted around its vertical axis, perceived slant is attenuated relative to prediction, whereas when a frontal-plane surface is placed above or below the slanted surface, slant is close to the predicted magnitude. Gillam et al (1988 Journal of Experimental Psychology: Human Perception and Performance 14 163-175) have argued that this slant enhancement is due to the introduction of a gradient of relative disparities across the abutment of the two surfaces which is a more effective stimulus for slant than is the gradient of absolute disparities present when the slanted surface is presented alone. To test this claim we varied the separation between the two surfaces, along either the vertical or depth axis. Since these manipulations have been reported to reduce the depth response to individual relative disparities, they should similarly affect any slant response based on a gradient of relative disparities. As predicted, increasing the separation, vertically or in depth, systematically reduced both the perceived slant of the stereoscopically slanted surface and also the stereo contrast slant induced in the frontal-plane surface. These results are not predicted by alternative accounts of slant enhancement (disparity-gradient contrast, normalisation, frame of reference). We also demonstrated that sidebands of monocular texture, when added to equate the half-image widths of the slanted surface, increased the perceived slant of this surface (particularly when presented alone) and reduced the contrast slant. Monocular texture, by signalling occlusion, appeared to provide absolute slant information which determined how the total relative slant perceived between the surfaces was allocated to each.

Interactions of spatial frequency and unequal monocular contrasts in stereopsis.

Increasing the contrast of just one eye's image degrades stereothresholds; this phenomenon is referred to as the stereo contrast paradox. In experiment one, this paradox was found to be absent in dynamic random-element stereograms; thresholds were simply limited by the lower of the two eyes' contrasts. In experiment two, in which narrowband Gabor targets were used, the paradox was found to be strongest at relatively low spatial frequencies (1 cycle deg-1). As spatial frequency was increased, the paradox gradually disappeared. At relatively high spatial frequencies (5 cycles deg-1), thresholds were generally limited by the lower of the two eyes' contrasts, as was found for the dynamic noise targets. These results demonstrate the interactions of spatial frequency and contrast in binocular image combination and yield clues as to the different roles which high and low spatial frequencies may play in stereopsis.