A BOUT two years ago it became neces1), sary to develop a technique for the photography of the painted designs in a large number of prehistoric pottery bowls, as a record of the zoomorphic and anthropomorphic pictures painted on the inner surface. The specimens were to be studied and photographed in museums, galleries, dealers' stocks, and private collections from Massachusetts to California, and from Wisconsin and Michigan to Texas. It was anticipated that the photographs would have to be made under all manner of physical conditions and lighting facilities. Since the usefulness of the records would depend to a considerable extent on their uniformity, it was decided to develop a fixture which could be packed and transported easily by automobile and which could provide complete uniformity of photographic lighting. Because of the special problem of uniform illumination all over the concave interiors of the vessels, it appeared that it might be desirable to adapt one of the circular fluorescent tubes in such a way as to permit the camera to see through the center of the circle. In this manner the rays from the circular lamp could cross in front of the lens and illuminate the complete interior, to the very rim, at an advantageous angle, with no tendency for the bowl rim to cast shadows. Preliminary sketches were made, and with the cooperation of a sheet-metal worker and an electrician, the device here illustrated was perfected (Fig. 1). It was used with an Exakta 35 mm. camera with Penta Prism view finder and 50 mm. lens, the whole camera-illuminator combination mounted on a Quick-Set Junior tripod as shown. With its aid, some 3500 photographs were made in 88 different collections ov r a period of 42 months, in basements, attics, exhibit halls, offices, sheds, stores, and private homes. Except for two occasions when it was burned out by being inadvertently plugged into direct current, it performed uniformly and without failure. When burned out, it was easily repaired by purchasing the standard ballast and fluorescent tube which went into its construction. Photographs made with this lamp were uniform in nearly every respect. Exposure time was calculated by the use of an electronic exposure meter. The only serious lack of uniformity in the photographs resulted from forgetfully moving the whole mechanism in close for close-ups without reducing the exposure time to make up for the increase in illumination. Essentially, the device utilizes a 32watt Circline fluorescent tube in a specially built angel-food-cake-pan type of reflector, with a bracket to hold the camera so that it looks through the center of the circle. Most of the electrical appurtenances are attached to the back of the reflector except for the heavy ballast, for which a special metal case was constructed to lie on the floor and thus avoid the hazardous top-heaviness which would have resulted from mounting the heavy ballast on the tripod with the reflector and camera. A standard plug and cord connects the ballast to a source of 110120-volt alternating current. The lamp itself plugs into an outlet in the ballast case, and in order to prevent any inadvertent direct connection of the unballasted lamp to the 110-volt A.C., a 3-way plug and socket was employed here, one