Reviewed by: On Being Unfinished: Collected Writings by Anne E. Patrick Brianne A. B. Jacobs On Being Unfinished: Collected Writings. By Anne E. Patrick, edited by Susan Perry. Maryknoll, NY: Orbis Books, 2017. 310 pp. $32.00. On Being Unfinished, a wide-ranging collection of lectures and essays by feminist and moral theologian Anne Patrick, reveals a rigorous and even beautiful framework for what it means to live an ethical life, with what she calls an “ethical spirituality.” At the core of this spirituality is an exhortation toward “creative responsibility,” born, in my view, of a compelling marriage between the influences of Vatican II and H. Richard Niebuhr (223). In her 2009 Madeleva Lecture, “Conscience as the Creatively Responsible Self,” Patrick defines this idea. She writes that there are two ways to be responsible, passive and creative. Passive responsibility is the compliant fulfillment of one’s duties. Creative responsibility “looks beyond the immediate obligations and commandments and social roles and seeks to contribute in new ways to the contexts of one’s life, striving to accomplish good on a wider scale” (193). For Patrick, our lives are pieces of art, tapestries woven day in and day out, in response to the loving call of God. In one essay she asks, “To what new paths, I wonder, is [God’s] eye of love inviting us?” (202). In another, invoking Gerard Manly Hopkins, she asks, “What in God’s eye [S]he is?” (264). Do we respond to this call with literal and static obedience? Patrick exhorts us with ethical spirituality to create and live new solutions to religious and secular challenges. Ethics must be lived with the moral courage of the artist. As the title of the collection suggests, this project, our response, is never complete. The beauty and joy of living is in the process, always unfinished, of creatively expressing God’s love, justice, peace, and truth on earth. Patrick weaves her own creative response most explicitly to the problems of sexism, androcentrism, and patriarchy, which oppress women broadly in society and specifically in the Roman Catholic Church. Patrick’s creative responses include life-giving resources for women, and suggestions for change in the Catholic Church. In one of my favorite essays, “Getting Ready for Voice Lessons,” Patrick suggests [End Page 82] qualities of character for a feminist ethics of spirituality: self-care and solidarity, courage and humility. Patrick also offers imaginative solutions to issues for Catholics, suggesting in “A Conservative Case for the Ordination of Women” that the ordination of women be based on the significance of the sacraments. She offers a feminist mode of virtue for analyzing abortion in “Virtue, Providence, and the Endangered Self: Religious Dimensions of the Abortion Debate.” As she has exhorted her reader to do, these essays seek creative new paths in living God’s love and justice in contemporary contexts. Patrick repeatedly engages indepth with her peers, M. Shawn Copeland, Ada María Isasi-Díaz, Margaret Farley, and Barbara Andolsen, to name a few. She also engages literary figures like George Eliot and Graham Greene. Many of these essays were originally lectures and read with the spiritual force, rhetorical sweep, and welcoming candor of a good homily. I recommend this collection to any reader interested in Patrick’s engagement with this range of literary and theological thinkers, and who are looking for intellectual and spiritual nourishment on the topics of morality and feminism in the Roman Catholic context. To teachers, I particularly recommend her essay, “Feminist Theology,” reprinted from the New Catholic Encyclopedia, which offers a detailed and accessible review of feminist theology from 1960 to 2000. Anne Patrick, a Sister of the Holy Names of Jesus and Mary, and professor of theology, taught for decades at Carleton College, where she was William H. Laird Professor of Religion and the Liberal Arts. She served as the third woman president, and first self-proclaimed feminist, of the Catholic Theological Society of America in 1990. In 2013, she was presented its highest honor, the John Courtney Murray Award. What becomes clear through reading On Being Unfinished is that these markers of academic excellence and prestige are undergirded by a deep and compelling faith. As...
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