ABSTRACT Baloup’s approach to using personal narratives in graphic novels transcends the specific realm of refugee comics or human rights campaigns, yet it faces challenges when attempting to bridge the gap between the intimate narratives of refugees and a broader commercial audience. Blurring the lines between autobiography, historiography, reportage, testimony, and docufiction, Vietnamese Memories retraces the global dimensions of the Vietnamese diaspora while engaging with the representation of transgenerational trauma in ways that reflect the diversity of the Viet Kieu experience. Transitioning from family history in the first volume to inferred advocacy in the third, Baloup’s exploration and graphic representation of the Viet Kieu in various spatiotemporal contexts add layers of historical, memorial, and narrative complexity to the series with the publication of each new volume. The resulting multilayered narrative of the refugee experience elicits reader empathy, yet also raises ethical considerations regarding the representation of trauma, particularly for women. Central to this analysis is the exploration of Baloup’s framing of women’s narratives and its impact on reader engagement.
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