ABSTRACT The pastoral station is an under-examined location space in Australia’s screen history. Using the case study of Belmont Station in far west NSW and focusing specifically on the production of television advertisements in the 1980s−1990s, this article proposes the pastoral station as a popular filming location for Australian ‘outback’ imaginaries. Furthermore, I argue that the station has embedded environmental and spatial histories that have enabled it to develop as a film-friendly screen infrastructure. Firstly, the article proposes a new approach to screen studies in Australia that draws from media infrastructures and environmental history to address previously unknown screen production histories. The article then introduces the pastoral station in line with the reoccurring aesthetics of the ‘outback’ imaginary. Finally, it examines how the environmental affordances of the station such as geography, property holdings, and in-house labour ensured a film-friendly location space. Reflecting on environmental histories, it reveals how land degradation caused by settler-colonial industries has shaped the geophysical environment, and how this has in turn shaped the ‘outback’ imaginary. Overall, the article purports that by examining how screen production is co-produced by humans and non-humans, new screen histories are illuminated.