The history of Soviet cinema has been extensively described in Englishlanguage books and articles on subject by Babitsky and Rimberg, Dickinson and de la Roche, Leyda, Macdonald, and others.1 These writers have concentrated on qualitative history of motion pictures in USSR, describing work of specific major film-makers and characteristics of specific major films, studios, and administrative policies. If these studies have any limitation, it is on quantitative side-a meager and scattered presentation of statistical information on overall film production in Soviet Union year by year. Such a limitation is quite understandable, because Soviet administrators and economists for many years did not make a habit of releasing detailed statistical data on production achievements or failures. Indeed, many Soviet economic studies published in Stalin period deliberately neglected factual evidence in favor of theoretical quotations cited and interpreted from scriptures of Marx, Lenin, and Stalin-a practice sometimes referred to as quotationism. The noted Russian historian of early Soviet cinema, Lebedev, makes this kind of scattered reference to quantity of production, mentioning in one place if in 1922 number of released features and semi-features did not surpass nine titles, then in 1924 it rises to forty-two, and in another place the release of fictional, live-actor films [in] 1924/25 fiscal year [was] 70 [and in] 1930 [was] around 120 films.2 Some of Lebedev's figures, despite their approximate and apparently non-comparable nature (calendar vs. fiscal year, all genres vs. only fictional, etc.), have been taken over directly by Babitsky and Rimberg (see pp. 69, 245). And when Babitsky and Rimberg quote various sources' production statistics for 1930s, they do so with a necessary reservation: At end of Second [Five-Year] Plan decline in production was matched by a decline in publication of
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