Reviewed by: Mapping the Amazon: Literary Geography After the Rubber Boom by Amanda M. Smith Charlotte Rogers KEYWORDS Amazonia, Cartography, Maps, Environmental Humanities, Literature, Literary Criticism, Latin America amanda m. smith. Mapping the Amazon: Literary Geography After the Rubber Boom. Liverpool UP, 2021, 248 pp. The drama of getting lost in the jungle has long been a driving force of fiction about the South American wilderness. While "losing oneself" is often glossed as a psychological and even existential crisis in literary studies, Amanda M. Smith's Mapping the Amazon: Literary Geography After the Rubber Boom approaches the phenomenon from a more prosaically literal yet equally enriching perspective. Mapping the Amazon examines five canonical novels set in the tropical forests of South America by José Eustasio Rivera, Rómulo Gallegos, Mario Vargas Llosa, César Calvo, and Márcio Souza. Smith proposes that each author creates a literary geography that signals the insufficiency of traditional cartography to represent Amazonia while simultaneously presenting an imagined landscape that has real consequences for the region's ecologies, peoples, and cultures. This important contribution to Amazonian literary studies deftly builds a theoretical bridge between geocriticism and the environmental humanities. Smith incisively identifies a tension central to her corpus of texts, namely the gulf between what Gallegos called the "geografía muerta" of cartography and the [End Page 115] "geografía viva" of the forest (68). One episode from Rivera's La vorágine perfectly crystallizes this dichotomy: the coyly named character Clemente Silva gets lost attempting to navigate the forest according to existing maps of Amazonia, only to later save himself through an attentiveness to the Canaguche palm, whose orientation indicates the direction of the sun. Smith neatly traces the cartographic impulse to the extractive industries that have cyclically ravaged the region, while conversely illustrating how Silva's successful multispecies wayfinding draws on Indigenous lore. This contrast informs the entire volume, as Smith guides her reader through the ways in which each author grapples with the histories of extractivism and its effects on Indigenous cultures, at times denouncing industrial depredations and at others unexpectedly reinforcing them. Smith's lively syntheses of geocriticism and discourses of extractivism in the introduction will be highly useful to budding scholars—in fact, I have already passed Mapping the Amazon along to several of my PhD students at the University of Virginia. The book sidesteps the broader history of mapping the Amazon in previous centuries to make room for a deep dive into the rubber boom and its afterlives, including impressive archival research and fieldwork undertaken in Colombia and Peru. Smith's definition of extractivism begins with a tight focus on rubber and other physical materials in Gallegos and Rivera, and it expands over the course of the volume to include literary and spiritual extractivism in the works of Vargas Llosa, Calvo, and Souza. Chapter 1, "Reading Maps with La vorágine," interprets the demise of Rivera's famous protagonist Arturo Cova as a cautionary tale of the perils of "cartographic delusion," which Smith defines as "the blind overreliance on maps that are necessarily incomplete," in contrast to Clemente Silva's ability to survive by respecting Indigenous and more-than-human perspectives (44). The twin highlights of chapter 2 are Smith's insights on how debates about education in Venezuela inform Gallegos's Canaima and her pathbreaking reading of the much-analyzed "Tormenta" scene as an interspecies shamanic experience for the main character, Marcos Vargas. Smith's discussion of the Canaima National Park in Venezuela puts her in a fruitful dialogue with the work of Victoria Saramago while also featuring the unjust repercussions of "writing over Carib meanings" in the literary canon and South American societies today. Chapter 3 accuses Mario Vargas Llosa of "openly flaunt[ing] his instrumentalization of Amazonian cultural geography to write and sell books" (102). In line with many leftist diatribes against the Peruvian Nobel laureate, Smith excoriates Vargas Llosa for his involvement with the Summer Institute of Linguistics and his selective mapping of Amazonia in La casa verde, La historia de secreta de una novela, and other works. Chapter 4 is perhaps the most radical in the book for its study of the ayahuasca boom...
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