In Shakespeares America By WILLIAM ASPENWALL BRADLEY Old English and Scottish popular ballads are not the only legacy of the Old World to the New that time has kept more or less intact in the dark Kentucky hills. Sink a shaft almost anywhere in the obscure social and spiritual strata of that secluded section and you will make striking, often startling, discoveries. The very language itself, far from being, as is too commonly supposed, a mere uncouth dialect, preserves in many respects the obsolete idiom of our ancestors, and is starred with interesting and significant survivals. It is said that when the mountaineer begins to read at all, he displays so marked a preference for Shakespeare that it is invariably the works of that poet that have most frequently to be rebound in any library to which he has access. The reason he himself gives for this predilection is that the things Shakespeare makes his characters do always seem so "natural." So also must seem the things he makes them say. Words and turns of expression employed by Shakespeare and in the King James version of the Bible are of such common occurrence in the mountain speech that it is quite possible for a native student of his own people's peculiar characteristics to argue, with no small show of reason, 27 that "the purest English on earth is that of the Kentucky mountains" — however unpolished and crude it may be grammatically . Another asserts that this racy idiom is the one real literary dialect as yet produced in America. A teacher in a settlement school told me that her greatest trouble was getting the children to talk "good English." Yet the natural, untutored speech of these children (and of the grown people as well, when they have remained uncontaminated by outside influences ) is of a pristine poetic quality seldom found save among the very primitive. Just because the mountaineers are for the most part, either illiterate or able to see few newspapers, they have no stereotyped forms of expression. For them the language is in the same state of fluidity and flux that it was for Shakespeare and his contemporaries, so that they are always free to vary and invent, and are often forced to feel around, as it were, not only for the right word, but for their own word, which, since they have a natural esthetic instinct for verbal shapes and sounds, gives their speech a remarkable sense of freshness and stylistic distinction. Moreover, the very fact that their vocabulary is extremely limited tends to foster a fanciful and figurative form of expression, as in the case of the old preacher who, referring to the white-haired among his auditors, called down a blessing upon those "whose heads were bloomin' for the grave." There is much that is coarse and crude in the mountaineer's method of expression, reflecting, frequently, the conditions under which he lives. But what at first sight appears most corrupt or colloquial often proves on closer acquaintance to possess unexceptionable linguistic credentials. What, for example, could possibly have a more bucolic or Boeotian flavor than the use of the verb "to talk" in the sense of "to court" or "to woo"? Yet, in 'King Lear" we find Regan saying, precisely: 'My lord is dead; Edmund and I have talked." In Shakespeare also we find "holp" for "helped," a form of the preterite very common in the mountains, as are also "whup" for "whipped," "wrop" for "wrapped," "clomb" for "climbed." If a mountain man becomes suddenly bereft of his senses, it is said of him that "he's tuk a franzy spell," and this rustic pronunciation has the authority of no less a poet than Sir Philip Sidney. There is also sound logic, if not literary authority, for "ary" and "nary," which are nothing more or less than contractions of "e'er a" and "ne'er a" — adaptions, if one chooses, but notably judicious and convenient — and the use of "farder" and "furder " for "farther" and "further" have exactly the same qualification from an etymological point of view as "murder," which used to be written "murther"; while the impersonal pronoun "hit" is no mere cockneyism...