Matthew FraserToronto: Key Porter, 2003. 288pp, $32.95 cloth (ISBN 1-55263-250-4)If United States abolished its diplomatic and consular services, kept its ships in harbour and its tourists at home, and retired from world's markets, its citizens, its problems, its towns and countryside, its roads, motor cars, country houses and saloons would still be familiar in uttermost corners of world...The film is to America what flag was once to Britain. By its means, Uncle Sam may hope some day, if he be not checked in time, to Americanize (p. 44). That striking prediction was made by London's Morning Post as long ago as 1923, and Matthew Fraser, editor in chief of National Post, believes it has something to tell us about our world today.Fraser's central thesis is that while US military and economic power is indispensable to America's superpower status, power historically has been a key strategic resource in U.S. foreign policy (p. 9). Quoting this reviewer, he defines soft power as the ability to achieve desired outcomes in international affairs through attraction rather than coercion (p. 18). He argues that no empire--Greek, Roman, French, Ottoman, British--has been indifferent to effects of its soft power resources and that remains true for contemporary America (p. 13).The book is divided into four main parts that deal with movies, television, pop music, and fast food that he characterizes as America's soft power arsenal of awesome weapons of mass distraction. I found these chapters extremely informative, full of interesting history and observations. As someone who has written on American soft power, I was impressed by extent of his research and amount of new material that he has uncovered. I was particularly impressed by his history of film, both in Hollywood and its competitors like Hong Kong and India's Bollywood. He describes interaction between Washington and Hollywood well, and illustrates way two have used each other over years.Fraser refutes simplistic view that spread of American popular culture is leading to homogenization on a centre-periphery model. He recounts how early prophecies that television would lead to a central global network were misleading, and have been replaced by local controls despite popularity of some American shows. In fact, United States has proven to be less dominant in television than in cinema. In popular music industry, four of five major companies are controlled outside United States, and MTV in 1990s had to decentralize into regional and country units to keep up with its competition. The formula remained same, but content varies. He might have added that in popular new genre of reality television shows, formula originated in Europe and was imported to United States. And in matter of fast food, from French ban on Coca Cola after World War II to Jose Bove's sophisticated political manipulation of MacDonald's in 1990s, Fraser shows that much of political agenda related to French domestic politics rather than global issues. He also illustrates how MacDonald's replied by adopting local menus and adapting to local politics.I am less convinced by Fraser's discussion of empire. …
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