The word “Aesthetic” in the context of Indian Aesthetics means “Science and philosophy of Fine Art” Bharathe muni wrote the theoretical treatise Natyasastra on Indian performing Arts including theatre, dance acting, and Music. Natyasastra is said to explain Indian aesthetics. Natyasastra is the scientific explanation of classical Indian dances. In this context, Bharatanatyam is also grounded in the principles of the Natyashastra. This research highlights how aesthetic aspects permeate Bharathanatya choreography, which involves designing the dance according to the rhythm of the ragas, along with abhinaya, bhava, and rasa. The choreography of Bharatanatyam is based on body parts and body shape( body proposition) by various elements, including positions (sthāna), hand gestures (mudra), neck movements, eye movements, head movements, karanas, mandalas, and charis. In Bharatanatyam, the body and the shape of the body (including the organs) are the basic source. Beauty is associated with interpretation. Deciphering the symbols means interpretation. The purpose of this study is to explore how aesthetic aspects play an important role in the creation of Bharatanatyam choreography, as Bharatanatyam is an art of both design and creativity this study uses the descriptive research method, observational research method, and qualitative research method. It is descriptive in the sense that it explains the aesthetics of Bharatanatyam choreography and observational since it observes the aesthetic aspects of Bharatanatyam choreography which is method-based. Moreover, the study examines the aesthetic expressions of the performers, who also serve as observers of the art form... When Bharatanatyam is designed with aesthetic aspects in mind, it becomes a powerful and valuable dance form. Systematically, organizing and expressing choreography with these aesthetic elements leads to seamless creativity, effective communication with the audience, relevance for future generations, and the preservation of socio-cultural values.
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