Lorraine Hansberry's A Raisin in the Sun is a deep examination of the intersection of race, gender, and class in 1950s America. This paper examines how social gender norms, compounded by the economic and racial oppression of the period, influence the identities and relationships of the Younger family. Set in a period of rigid gender expectations, Hansberry challenges the limiting roles assigned to both men and women, especially within the African American community. The play depicts Mama as an emblem of parental fortitude and stability, while Ruth embodies the quiet resilience of working-class Black women who contend with the dual demands of economic survival and domestic obligations. Beneatha contests conventional femininity by dismissing the idea that a woman's value is dependent upon marriage, instead pursuing intellectual and personal independence. Walter Lee exemplifies the challenges of adhering to patriarchal standards of manhood against systematic racism, attempting to establish his role as the family's provider while confronting perpetual frustration and despair. Hansberry critiques racial and gender inequalities through these characters, offering a multifaceted depiction of societal limitations. Nevertheless, the play presents a picture of hope and transformation as each character strives with and, in some instances, overcomes the constraints dictated by their circumstances. This paper argues that A Raisin in the Sun is a timeless critique of the fluidity of gender roles and the fortitude of people who confront repressive societal standards.
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