This article examines the concept of the «Viennese text» through the example of the novel project by modern Austrian writer Peter Rosei. It focuses on key toponyms, the structure of the novels, images, and events that recreate the urban space of Vienna. Through analyzing Peter Rosei's «Viennese Text», the author notes that the urban space in his novels is closely linked to reality, social issues, and historical events, with the city itself becoming an active participant in the narrative. The goal of the research is to identify and explore the basic principles behind the construction of «urban texts», which shape the problematic and poetics of the «Viennese text» in Peter Rosei's novels. The novelty of this research lies in its exploration of the concept of «Viennese texts» for the first time through the material of Peter Rosei's modern novel project, «Viennese Files». The results obtained allow us to conclude that the urban space in Peter Rosei's novel is represented through a kaleidoscopic vision of Vienna, which creates a sense of unity in the artistic image.
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