In this engaging book, Kristin L. Hoganson attempts to overturn the myth of the Midwest as drowsy and disconnected from the rest of the world. An émigré from the East Coast, the author centers her story around Champaign-Urbana, Illinois, where she teaches at the University of Illinois. She bristles at descriptions of her adopted region as isolated, provincial, or “flyover country.” She draws a page from Thomas Bender's edited volume, Rethinking American History and a Global Age (2002), following her subjects wherever they go. She portrays border-crossings, commodity production, and the environment with equal enthusiasm. In other words, while she starts with a small city, she seeks to do global history.The author views Champaign as a good starting point to figure out if the rural and small-town communities at the center of the heartland myth “have always been as insular as the myth suggests” (xxv). She understands that Champaign had its own particular development and that there is no one typical place to use as a proxy for a region as enormous as the Midwest. She does not want to do local history, which she associates with antiquarianism. And while no one would call her an antiquarian, since she focuses on her adopted hometown, she runs the risk of sounding like a town booster or local critic.At the very least, the history of the Midwest is about two heartlands, the urban and the rural. William Cronon, in Nature's Metropolis (1991), showed one way of studying both by portraying Chicago as the center of a dynamic regional economy. Another way of getting at the diversity of the Midwest would be through studying people whose lived experience exemplifies the porous boundary between rural and urban. For example, the baseball star and evangelist Billy Sunday grew up on the Iowa prairie but moved to Chicago, found God, and then returned to Iowa. Jane Addams grew up in western Illinois and made her career working with immigrants in Chicago.It is hard to interrogate the categories of the Midwest and the heartland without at least a respectful nod toward cities. The region is home to a major metropolis in almost every state and includes Cleveland, Detroit, Kansas City, Minneapolis, Milwaukee, St. Louis, Cincinnati, and numerous smaller industrial cities. These places traded and manufactured goods. They were also centers of Black culture, and therefore our national culture.The author is not obliged to write about African Americans, and she chooses other good topics to explore. However, it would be helpful to explain their absence, or for that matter the near exclusion of the working class, from the story. The traditional story of the industrial heartland and its working-class movements may seem passé. But the tale of the heartland includes them, and has whiteness at its very core. Nikole Hannah-Jones, the founder of the New York Times's 1619 Project, has sought, with some success, to recast American history around race. That she grew up in a heartland industrial town, Waterloo, Iowa, cannot be a coincidence.This is a fun book to read. The author teaches and lives in a county dominated by the University of Illinois, which makes for the kind of quirky excitement that only a college town can provide. Her story includes interesting discussions of the highly mobile Kickapoo Indians, whose travels are occasionally by choice and more often involuntary. It also discusses the intersection of ecology and botany, Chinese hogs, wet-prairie drainage, British emigrants, exploration of the North Pole, isolationists, balloonists, weather forecasters, bird-hunting, and the borders with Mexico and Canada.The book includes a distinctive and welcome feature: so-called archival traces made up of short quotations from research notes. These additional primary sources, always interesting and often surprising, suggest new avenues of study for students and professional historians alike. The Heartland, with its varied slices of Midwestern life, combines abundant research with graceful writing. She illuminates how Champaign became part of a broader national culture with a stake in the global economy. It is a tale worth telling.