Overall and spectral sound pressure levels radiating from swirling flows and flames were measured and correlated with simultaneous plenum pressure fluctuations measurements. Single swirler and co- and counter-rotating double swirlers were used. Generic radial-entry swirlers with straight vanes and a convergent-divergent nozzle were employed. At the same Reynolds number and Mach number, precessing-vortex-core frequency, spectral amplitude at that precessing-vortex-core frequency, and overall sound pressure levels for flows were the highest for the single swirler, followed by the co- and counter-rotating double swirlers. Rates of increase in precessing-vortex-core frequency and overall sound pressure levels with Reynolds number and Mach number were also in the same order. Sound spectra for single and corotating double swirlers contained precessing-vortex-core-related strong tonal components. However, for counter-rotating double-swirler flows, amplitude of the tonal component was reduced considerably. Double-swirler configurations exhibited dual precessing-vortex-core frequencies. The addition of a second swirler slowed down precessing-vortex-core and reduced its upstream transmission to the plenum and the transmission of plenum modes to the sound field. The counter-rotation configuration was more effective in slowing down the precessing vortex core and acting as a transmission barrier than the corotation configuration. Compared to flow, partially premixed flame,Φ=1.15, produced 5-10 dB higher overall sound pressure levels. However, the flame had a lower Mach number exponent than the flow. Flames inhibited the transmission of high-frequency tones across them. At the sameΦand Reynolds number, the corotating flame was the least noisy and the counter-rotating flame was the noisiest. Premixed flames withΦ= 0.98 were compared with the flows by keeping an identical pressure differential across the premixer. The counter-rotating double swirlers produced higher overall sound pressure levels than the corotating double swirlers, which generated more overall sound pressure levels than the single swirler.
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