The Journal of American CultureEarly View ORIGINAL ARTICLE Dancing grounds, bloody grounds: Pearl Primus and Michael Row the Boat Ashore (1979) Ninoska M’bewe Escobar, Corresponding Author Ninoska M’bewe Escobar [email protected] Department of Theatre and Dance, The University of New Mexico Correspondence Ninoska M’bewe Escobar Email: [email protected]Search for more papers by this author Ninoska M’bewe Escobar, Corresponding Author Ninoska M’bewe Escobar [email protected] Department of Theatre and Dance, The University of New Mexico Correspondence Ninoska M’bewe Escobar Email: [email protected]Search for more papers by this author First published: 11 June 2023 https://doi.org/10.1111/jacc.13459Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. 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