Metabolism: The City of the Future . Mori Art Museum, Tokyo. 17 September 2011–15 January 2012. Today we often regard Japan’s Metabolists as young dreamers proffering technologically advanced, audaciously overscaled schemes. A show at the Mori Art Museum in Tokyo—the first retrospective dedicated to the group—underscored instead Metabolism’s ideological origins and, more importantly, unearthed a treasure trove of artifacts. The exhibition opened with a single image: a 1953 photograph of Kenzo Tange’s celebrated central structure at Hiroshima’s Peace Park. The Metabolists’ debut was still seven years away, via a booklet distributed at the 1960 World Design Congress in Tokyo that featured four architects—Masato Otaka, Kiyonori Kikutake, Fumihiko Maki, and Kisho Kurokawa—and others from related disciplines: author and editor Noboru Kawazoe, industrial designer Genji Ekuan, and graphic designer Kyoshi Awazu.1 Adjacent Japanese and English wall text used to isolate this image argued that Tange, though not a member of the movement, was its progenitor; the point was then followed by additional photographs of Peace Park interspersed with rarely seen construction and presentation documents from the Tange office, many now held by Harvard’s Frances Loeb Library. A public housing complex designed by Masato Otaka, built on an adjacent plot, was served up subsequently on the same wall. The Mori exhibition thus presented its first Metabolist with a subtlety that was untypical of the movement itself, via a grouping of residential towers overshadowed by Tange’s masterwork—an unappreciated complex not completed until the 1970s, designed by the only Metabolist architect who was more interested in Japan’s proletariat and never established an international reputation. The opposite wall of this opening gallery offered a historical preamble to the exhibition: on a panel some 45 feet long, a timeline tracked Japan’s population and economic growth from 1905 through 1960. Set against the data were computer animations, reproductions of photographs, and recently built models related to a period long ignored in polite circles: …