Despite significant changes in the historiography of European witchcraft, the figure of the seems to remain the inevitable center of such studies. It is, after all, for his, or most often, her witchly qualities that the person, initially and subsequently, is made visible. All other aspects of the individual's life drop from the historical record as she becomes a piece of data. Absorbed into the documents only because ofwitchly deeds, real or imagined, the accused is isolated from a personal context. The text upon which the historian depends presents a one-dimensional picture, if a picture at all. The defendant is more likely to become a number, with some court shorthand as to personal characteristics. Only occasionally is a subject troublesome enough to leave an atypical trail in the records. Just as multiple trials over a period of time allowed Carlo Ginzburg to draw a three dimensional Menocchio,1 two recalcitrant and recidivist women in seventeenth century Venice permit a similarly rounded depiction. The trials of these two half-sisters suggest that the witch's hat was one of many, taken off and put on at will, signifying a vocational choice rather than a permanently assumed role. Moreover, what emerges is that the is an identity constructed, not even by contemporaries, but by subsequent historians. In the last two decades, general surveys of European witchcraft, based on printed sources preselected for their shock value,2 have been superseded by sympathetic and non-sensational statistical and archival studies of particular, local trials.3 Nonetheless, with the a given, elements of volition are still lost; the role of personal choice remains elusive. While the terms agency and empowerment already threaten to become abused in the nineties, it may be useful to view those accused of as active agents in their own destinies rather than passive victims of either social ills or their own marginal belief systems. This can be accomplished if the noun witch is retired and this classification considered not nominative, but adjectival, describing an act rather than a person. The element of volition can be restored to studies using the same records which the new historiography employs: the records of the Roman Inquisition. The Inquisition isolated the individual and treated him or her as a solitary integer, not as part of a social unit. Its painstaking trials can sometimes provide insights into the role that those practices labelled witchcraft played in the context of a suspect's life and can correct for the historian's neglect of motivation. While the plural of anecdote is not data, gingerly reconstructed biography catches the individual who otherwise falls through the statistical grid. A career option rather than a fate or destiny, may be considered as having a place alongside labor and family studies, rather than being an exotic territory or aberrant growth on the social body. Many current, local, statistical studies have isolated women accused as witches, considering them a discrete group rather than integrating them laterally with