How can we be so absorbed into some activity that we fail to hear our name being called, while some minutes later we perfectly understand a whispering voice? Questions like this tap into the issue of auditory attention. As in any other modality, information processing in audition is shaped by the listener’s current goals. Consequently, perception of and responses to sound depend on inner states as much as on physical stimulus input. Diverse phenomena of auditory attention along the perception–action cycle have been addressed in various research groups. The field must, however, be described as somewhat scattered. In this special issue, we aim to provide an overview of the different research lines by bringing together 12 different perspectives on auditory attention. The 12 contributions comprise 5 review articles and 7 papers reporting original data. Seeing the links between the different research approaches is sometimes complicated by the fact that they come from fundamentally different traditions: some approach the problem of auditory attention with a strong focus on perceptual processes, others take an action-oriented perspective. Some base their investigation on the top-down allocation of attention in accordance with the listener’s goals, while others exploit the bottom-up capturing of attention resulting from stimulus saliency. While such dichotomies are difficult to avoid when structuring the available research material, we attempt to counteract them here by pointing out conceptual as well as methodological links between the various contributions. In everyday life, the need for (selective) auditory attention arguably arises most prominently from the presence of multiple objects producing sounds at the same time. What enables us to listen to our conversation partner in a busy cafeteria? We must be equipped with a powerful mechanism giving priority to the processing of some parts of the auditory input over others. This allows us to focus on a momentarily interesting signal (e.g., our conversation partner) while ignoring less relevant input (e.g., other speakers and the cafeteria noise). Many laboratory demonstrations of auditory selective attention in such scenarios rest on processing impairments for the unattended signals rather than on processing gains for the attended signals. The extent to which unattended signals are ignored is so surprisingly high that it has been termed inattentional deafness. This phenomenon is at the heart of the contribution by Koreimann, Gula, and Vitouch (2014). The authors provide an empirical demonstration of such perceptual failures in the ecologically valid case of listening to music: listeners, even musically trained ones, failed to notice an e-guitar improvisation in a piece by Richard Strauss when their attention was strongly focused on a certain aspect of the piece. This reflects a striking case of attentional over-selectivity. On the other hand, when the acoustic contrast between the e-guitar improvisation and the musical piece was increased, the inattentional deafness effect disappeared. Such findings illustrate a fine balance between attentional selectivity—allowing to focus on the task at hand— and the ‘‘breakthrough of the unattended’’ (Moray, 1959; Treisman, 1960)—allowing to check task-irrelevant but acoustically salient, potentially important information. The A. Bendixen (&) Auditory Psychophysiology Lab, Department of Psychology, Cluster of Excellence ‘‘Hearing4all’’, European Medical School, Carl von Ossietzky University of Oldenburg, Oldenburg, Germany e-mail: alexandra.bendixen@uni-oldenburg.de