The question of control—over bodies, knowledge, narrative, and nation—interweaves throughout Dana Medoro’s Certain Concealments: Poe, Hawthorne, and Early Nineteenth-Century Abortion and Stephanie Peebles Tavera’s (P)rescription Narratives: Feminist Medical Fiction and the Failure of American Censorship. Medoro focuses on discourses of life and women’s (non)reproductive sexuality in Edgar Allan Poe and Nathaniel Hawthorne’s fiction. She establishes that the two authors were deeply skeptical of medicolegal definitions of life that created racial and economic hierarchies; through focal characters and indirect, playful prose, they critique discourses of life that valued some lives over others in the creation of Anglo-American nationalism. Tavera investigates late-nineteenth-century woman-authored medical fiction as directly engaging many of the same concepts Medoro explores. (P)rescription Narratives calls attention to the ways that Comstock-era censorship colluded with race science, medicine, and the law to limit women’s sexual and reproductive autonomy. It demonstrates literature’s agential capacities as the writers it addresses explicitly refute and redirect objectifying narratives. Combined, these texts show that questions of what “counts” as life, and by what (and whose) paradigms those lives can be lived, are hardly theoretical musings. Rather, they determine, systemically and corporeally, “life’s legibility and reproduction … in the name of American citizenship” (Medoro 19). These texts, in other words, are highly relevant and important as literary and cultural scholarship, making a powerful argument for the study of the humanities. But they are also important because they document the subversive and agential power of the written word to discern, document, and possibly heal—to affect change for today and the future.