REVIEWS earth. Adams argues that "Langland's social and theological conservatism are such" that, in dealing with the profound problems of his age, his outlook is apocalyptic: "Only supernatural or preternatural intervention can totally reverse the hellbent course of human society" (p. 209). The essay refutes those readings that, following Morton Bloomfield's Piers Plowman as a Fourteenth-Century Apocalypse (1961), discernJoachim of Fiore'sinfluence on the poem. It further shows that "Langland's Antichrist is, in fact, the final Antichrist of traditional Augustinian eschatology" (p. 205), an argument that I have made elsewhere and which can be bolstered further by Robert Lerner's recent analysis ofJoachim's multiple Antichrists [Speculum 60 (1985), 553-570]. Together with his earlier article on "The Nature of Need in Piers Plowman XX" [Traditio, 34 (1978), 273-301], Adams provides a coherent and persuasive analysis of the poem's concluding passus. His essay is, in my opinion, the best argued and probably the most significant of the collection, which is no small praise, because this handsome volume is packed with many excellent essays that will make an enduring contribution to Middle English studies. RICHARD K. EMMERSON Walla Walla College DAVID LYLEJEFFREY, ed. and comp. Chaucer and Scriptural Tradition. Ottawa: University ofOttawaPress, 1984.Pp. xvi, 242. $20.00 paper. Recent collections of essays by D. W. Robertson, Jr. (Essays in Medieval Culture [PrincetonUniversity Press, 1980]), and by Robertson and some of his students Uohn P. Hermann andJohnJ. Burke, eds. Signs and Symbols in Chaucer's Poetry [University: University of Alabama Press, 1981]) are reminders of the considerable influence Robertson has had on medieval studies over several decades. An impressive amount of current medieval scholarship is being produced by his students. And now comes a new volume, Chaucer and Scriptural Tradition, edited by DavidJeffrey, with a lead essay by Robertson, to whom the book is dedicated. Yet the dangers one might look for in the development ofsuch a school ofthought do not seem to have materialized. These essays have an unmistakable diversity, despite the fact that many of the contributors are "Robertsonians." It should be a matter ofgreat satisfaction to their mentor that his students not 203 STUDIES IN THE AGE OF CHAUCER only have become reputable scholars but also have developed an indi viduality of outlook that is as significant as their areas of agreement. Despite the tendency of the Chaucer bandwagon to attract predictable and repetitive studies, Chaucer and Scnptural Tradition is a refreshing departure from the norm. This is emphatically not just another collection of Chaucer articles. Its theme is the importance of the Bible for the study of Chaucer, and the twelve essays it contains bring new information to bear on this important subject in a variety of ways. Robertson's essay provides a context for the studies that follow; as such it serves a vital purpose, though it holds no real surprises for those familiar with his earlier work. Biblical rubrics announce the subsections of the essay, but Robertson's main concern is "to suggest that Chaucer's narratives would have been impossi ble without the traditions of patristic and scriptural teachings as they were adapted and elaborated to meet the needs of medieval life" (p. 32). It is easy to disagree with some of the sweeping "asides" in this essay (e.g., Robertson's comparison of The Canterbury Tales and Piers Plowman, p. 30n.128), but the panoramic view he presents of church doctrine, its biblical dimension, and circumstances affecting the stability of late-medi eval life and society, provides an ideal background for the following studies. Chauncey Wood is interested in "artistic intention and Chaucer's uses of scriptural allusion" (pp. 35-46), but especially in what he calls "covert or implicit non-specific biblical allusions," where we have the feeling that Chaucer is alluding to a text but cannot be sure. Such uses Wood inge niously refers to as "the biblical 'quarks' ofhumanistic scholarship" (p. 36). The effect of such a phenomenon is that it "transforms the literary text by a kind of catalytic magic and adds spiritual meaning to what seems at first reading only physical description. Like the quark of modern physics, it is a hypothetical...
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