Fiction, memoirs, journalism of the middle of the 19th century clearly present the irreversible process of the formation of Ukrainian identity, the awareness of the uniqueness of Ukrainian culture, the transformation of the perception of the national and cultural identity of Ukrainians. In particular, the activity of students of the Kyiv University – Khlopomans and later activists of “Hromada” became a point of reference, on the other hand, the catalyst for changes in ethnic and national self-awareness, a clear definition of values and civic guidelines was the preparation for the Polish liberation January Uprising at the beginning of the sixties of the 19th century. In this context, it is worth taking a closer look at how the Khlopomans – Volodymyr Antonovych, Borys Poznanskyi, Kost’ Myhalchuk, etc. – argue for changing their national identity, switching to Ukrainian, or why they don’t do it and how they work it out artistically, as in the case of Leonard Sowiński. As the memoirs and journalism of the Khlopomans convinces, the decision to switch from Polish to Ukrainian identity was made in view of the separation from the traditional worldview values of the Polish nobility. In particular, Kost’ Mykhalchuk was convinced by his sympathy for the moral side of life and the national psychology of Ukrainians, everyday life and deep culture. Commitment to Ukrainianism was formed in connection with its tragic fate and long struggle for its political, social and cultural rights. On the other hand, another well-known Khlopoman, later Polish poet, writer, essayist and playwright Leonard Sowiński, did not become an activist of “Hromada”. The descendant of a mixed Polish-Ukrainian family remained loyal to Polish identity, identifying with Polish national interests. He was almost the only one who created an artistic vision of the situation surrounding the Khlopomania, preparations for the January Uprising and identity elections in his drama “Na Ukrainie” (Poznan, 1873). Sowiński’s drama witnessed a new stage in the development of social and national relations in Right-Bank Ukraine in the middle and second half of the 19th century and proved a maturity of vision of the new situation that was rare for the artists of that time. The playwright made a successful attempt to create an artistic vision of the destruction of the old patriarchal landlord system, the rupture of the imaginary, created by the first romantics of the “Ukrainian school”, the idyllic Polish-Ukrainian community, the rebirth of the Polish national spirit and the birth of the Ukrainian nation under constant pressure from the dominant groups formed on Ukrainian land Polish and Russian nations.
Read full abstract