Reviewed by: Rereading Orphanhood: Texts, Inheritance, Kin ed. by Diane Warren and Laura Peters Kimberly Reynolds (bio) Rereading Orphanhood: Texts, Inheritance, Kin, edited by Diane Warren and Laura Peters; pp. x + 276. Edinburgh: Edinburgh University Press, 2020, £80.00, £24.99 paper, $105.00, $29.95 paper. Orphans were so plentiful in Victorian Britain that Mr. Bumble, the Parish Beadle in Charles Dickens's Oliver Twist (1837–39), created an alphabetical system for new arrivals at the foundling home: "The last was a S,—Swubble, I named him. This was a T,—Twist, I named him. The next one comes will be Unwin, and the next Vilkins. I have got names ready made to the end of the alphabet, and all the way through it again, when we come to Z" (Oliver Twist, edited by Kathleen Tillotson [Clarendon Press, 1966], 7). The twelve lively and well-written essays in Rereading Orphanhood: Texts, Inheritance, Kin, edited by Diane Warren and Laura Peters, venture into royal archives and the records of charitable institutions; they also explore periodical publication, a great many genres, and Philip Pullman's neo-Victorian novels about the female detective, Sally Lockhart, to give some sense of the abundance and variety of real and literary nineteenth-century orphans. And yet there is a notable absence of orphans such as Somalian-born Jaesell Macalonzie, who, in 1892, aged sixteen, was taken in by the charity Barnardo's. Jaesell's family was murdered during the siege of Khartoum (1884–5), and he was sold into slavery before finding safety in England. His is one of many accounts of Black and mixed-heritage children in the Barnardo's archives. Since October 2017, to mark Black History Month, the charity has published material about the Black children and teenagers cared for since its first children's home opened in 1870. The backgrounds of at least twenty Victorian orphans of color have been made available in this way, and they feature in published work such as Caroline Bressey's "Forgotten Histories: Three Stories of Black Girls from Barnardo's Victorian Archive" in Women's History Review (2007). The Barnardo's homes are discussed at length in Joey Kinglsey's essay for this collection, but his focus is on the staged nature of photographic images used to attract charitable donations, and all of the children in these images were white. Information about other Black orphans from the nineteenth century and earlier has been brought to light elsewhere, too. For instance, there are several books about Sarah Forbes Bonetta Davies. Rescued during a slave-hunt in which her parents were killed, she was subsequently presented as a gift to Queen Victoria when she was five years old. The Queen financed her education and maintained a relationship with her. I mention these examples because, in a collection that sets out to reread orphanhood, I hoped to see attention paid to orphans whose stories have largely been ignored or suppressed. [End Page 568] Instead, the kinds of orphans featured in the book are likely to be familiar to most readers of Victorian Studies. We have, for example, Fanny Price (not a genuine orphan but positioned as such in the Bertram household, Cheryl L. Nixon explains), Oliver Twist, Jane Eyre, Esther Summerson, Sara Crewe, and the many waifs and "Street Arabs" found in popular evangelical children's novels (61). There are exceptions: as well as considering the life of Charlotte Smith Richardson, who was well cared for the by charitable organizations in York, Kevin Binfold's chapter discusses her poem "Stanzas on the Decease of Margaret Russell" (1829). Russell was a mixed-race girl who was looked after by some of the institutions known to Richardson during the Regency years. Laura Peters, whose Orphan Texts: Victorians, Orphans, Culture and Empire (2000) was one of the first attempts to understand Victorian families and culture through the experience of orphans, also looks beyond the orphans of Britain. Her chapter illustrates what she describes as the "unique position the orphan occupies at the intersection of contemporary discourses on race, science, childhood and visual culture" in relation to a small group of orphans who featured in travelling exhibitions during the Victorian era (143...
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