Reviewed by: Italian Orientalism: Nationhood, Cosmopolitanism and the Cultural Politics of Identity by Fabrizio De Donno Alessandro Pes Italian Orientalism: Nationhood, Cosmopolitanism and the Cultural Politics of Identity. By Fabrizio De Donno. (Italian Modernities Series) Oxford: Peter Lang. x+360 pp. €52.86. ISBN 978–1–78874–018–0. How did Italian culture, from the Risorgimento to Fascism, participate in the development of the category of Orientalism? What role did the renewed interest in Indology have in the development of this category? How did the Italian perspective dialogue with European and Western Orientalism? This volume by Fabrizio De Donno tries to answer these fundamental questions in order to understand both the construction of an orientalist discourse in Italy and the transnational dynamics that have forged Orientalism in the West. Italian Orientalism investigates the Italian case to exemplify the processes that have defined the affirmation of Indology among the Western sciences in parallel with the spread of a 'certain' perception of the East which was instrumental in colonial and imperial policies. The volume is divided into two parts: a first in which the author reconstructs the reception of the Orientalist revival in Italy during the Risorgimento, and a second which traces Orientalism and Aryanism from Italian unification up to the Fascist period. In the first part, De Donno opens the discussion by focusing on how in the Italy of the Risorgimento the concept of Europeanness is redefined through the debate that sees Classicism as opposed to Orientalism. This debate is well covered in the book by the analysis of some texts representing the conflicting positions: the Manifestos by Giovanni Berchet and Ludovico Di Breme, which reflect the influences of Orientalism on the Romantic Risorgimento, and the Discorso di un italiano intorno alla poesia romantica of Giacomo Leopardi, in which the poet from Recanati responds to Di Breme by emphasizing the classical roots of the Italian tradition; he contrasts this with a Romantic nationalism strongly influenced by Orientalism, considered foreign to Italian society. This is a position which is not crystallized but which, as De Donno points out, will be modified later with the publication of the Canto notturno di un pastore errante dell'Asia, in which De Donno sees a form of hybrid poem evolving from the Neoclassical-Orientalist form, which leads back to the negative anthropology to which Antonio Prete ascribed the works of Leopardi. The second part of the volume focuses on the post-Unification period and introduces the discussion by highlighting how Italian Orientalism develops in parallel with Indology. The author reconstructs the development of the professionalization of Indology in Italy, in particular through the emergence of Florence as a driving [End Page 263] force, with the foundation in that city of the Istituto di Studi Superiori Pratici e di Perfezionamento in 1860, and the emergence of Angelo De Gubernatis as a central figure for the development of the academic discipline. De Donno subsequently pays close attention to how the concepts of race, religion, and colonialism interact in Italian Orientalism and anthropology. This part of the volume recalls De Gubernatis's effort to carry out 'the first Italian attempt to reconstruct the divine history of Europe, and Italy within it, by replacing the Bible with the Vedas' (p. 179) and highlights the criticisms that the Catholic Church made both of De Gubernatis and of other Italian orientalists who expressed comparable views. Italian Orientalism closes with a focus on the role of Orientalism in Fascist propaganda and on how the categories of nation, race, and empire reconfigured themselves in this period through the influence of Orientalist thought. In this final part of the volume De Donno points out how traces of the idea of Aryanism can be seen in the evolution of the concepts of race and nation developed by the Fascist regime. In this regard, the author recalls, among others, the work of Francesco Lorenzo Pulle, who identified Italy as the prototype of the Aryan-Mediterranean nation. Building a fascinating and detailed literary, political, and historical path, De Donno's book provides a first organic analysis of Italian Orientalism, its origins and its developments; the opening of the analysis frames these dynamics not only...