The article discusses two contemporary Romanian films which, in the changing contexts of globalized migration, address the question of encounter, conflict, and hospitality between the migrant and the local (community) by focusing on the perspective of the host. The encounter with otherness is discussed through the concept of the gestural understood as an imbrication between the somatic and the social. Marian Crișan’s Morgen (2010) focuses on the encounter between a security guard from Salonta and a Kurdish refugee, dismantling the anonymous, faceless image of the migrant. The encounter between the local and the foreigner occurs in the affective medium of quotidian gestures that engender an embodied, accented solidarity and hospitality. Mungiu’s R. M. N. (2022) tackles a conflict in which the inhabitants of a fictitious Romanian village oppose the employment of three workers from Sri Lanka by the local bakery. The film addresses the conflict not as a local instance of xenophobia but as a complex set of socio-economic relations within global capitalism and labour migration. If Mungiu’s film allows the viewer to recognize global relations in local occurrences, Morgen, through a micro-approach to the quotidian, enables the viewer to recognize the other as a face among global processes of displacement.
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