ABSTRACTThis study was done to ascertain if some Chinese red lacquered panels had been subsequently integrated onto the two sides and drawer fronts of the original commode, and some secondary areas covered with French imitation lacquer. Another question was the presence of two different stamps marked on the front legs. The results were as expected concerning the use of urushi on the panels. The Chinese lacquer was coloured red with a vermilion base and the French imitation tinted with a lead-based pigment, probably minium. More surprising were the decorations added to the lacquer and especially their distribution over the surfaces. Inserts were added to the Chinese panels at the time of their integration to enable them to fit to the larger commode dimensions. As golden decorations were also applied to these elements it was logical for these to have been made in France, but the real surprise is that a large proportion of the existing Chinese designs were also covered with a new coating of French decorations. Some empty spaces in the Oriental lacquered areas were also filled with new decorations in imitation of the Chinese ones. Finally, the initial round of analyses provided an explanation for the presence of the two stamps; the piece was converted from a chest decorated with marquetry to one with lacquered surfaces. But new questions arose and the history of the commode became more uncertain when later analyses of the French lacquer discerned the presence of PR3, a pigment that appeared only in the twentieth century.
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