Doctored: The Medicine of Photography in Nineteenth-Century America Tanya Sheehan. University Park: Pennsylvania State University Press, 2011.In Doctored: The Medicine of Photography in Nineteenth-Century Tanya Sheehan argues that while physicians used photographs to help legitimize their profession during nineteenth century, photographers used medical rhetoric and authority of science to shape their own professional reputations. Centering on Philadelphia, not only heart of burgeoning medical profession but also development of daguerreotype and later photography, Sheehan examines trade journals to explore how these men both knowingly and unknowingly adopted medical metaphors and imagery to establish themselves as powerful agents of health promotion and change. Using discourse analysis, such as work of Michel Foucault, Sheehan's interdisciplinary approach demonstrates that photographers were contributing to a cultural discourse on diseased and disordered body in urban America, which ultimately addressed anxieties of a nation torn apart by Civil War and a white middle who saw its city overwhelmed by problems of overcrowding, racial conflict, disease, and poverty (11). By controlling and manipulating body, photographers helped shape social order (12).While most historians of photography focus on profession's attempts to legitimize its position as an art form, Sheehan's research suggests that photographers used just as much effort to establish themselves as men of science. According to Sheehan, photography mimicked medicine's path to professionalization. Daguerreotypist Marcus Aurelius Root, for example, expressed interest in establishing schools and requiring photographers to take part in an apprenticeship (33-36). It was photographer's embrace of anatomy, however, that lent profession scientific authority. Sheehan argues that this was because knowledge of anatomy allowed photographers to establish a medically-inspired language for their practice, giving photographers a powerful claim to their subject's bodies. Like physicians, photographers diagnosed physical appearance of their subjects and used their knowledge to manipulate body to make it appear healthy (59). In manner of surgeons, photographers could perform operations on their photos, retouching them to give the appearance of smoother, blemish-free skin with even pigmentation, fuller cheeks, a straighter mouth, and well-rested eyes, which contribute to our reading of subject as youthful, racially white, feminine, and middle class (69). For Sheehan, rhetoric of science not only provided legitimacy, it also placed photography in larger realm of politics, giving photographers power to define health, whiteness, and middle-class identity. …